Monday, April 12, 2010

NY Loose - Year Of The Rat (1996)

Genre: Glam Punk
Origin: New York, New York
File: 89 Mb (320kbps)

Lineup:
Brijitte West - vocals
Danny Nordahl - bass
Marc Diamond: Guitar
Peter Lloyd: Drums

Tracklist:
1. Pretty Suicide 2:30
2. Rip Me Up 3:53
3. Broken 3:02
4. Apathy Is Golden 2:13
5. Dragonfly 2:56
6. Sunday Morning 3:15
7. Detonator 2:12
8. Song for Margo 3:38
9. Kiss My Wheels 2:43
10. Hide 3:42
11. Trash the Given Chance 2:56
12. Spit 5:53
Total Playing Time: 38:53

So if anyone even vaguely knows me they know that I love music from the gritty streets of New York City and this is a forgotten gem that I really feel is worth revisiting. It's a poppy little sleazy album that flows with great energy and overall is a sing-along good time. This was unfortunately the bands only proper full length release and I think "Pretty Suicide" was a minor hit and the song "Spit" was featured in the movie "The Crow: City of Angels". It also includes a very nice version of The Velvet Underground classic, "Sunday Morning". Check it out, for sure.

Year Of The Rat

Sunday, April 11, 2010

Joey Allcorn - Bootlegged IV (????)

Joey Allcorn - Bootlegged IV

Genre: Real Country
Origin: Columbus, Ga.
Time: 32 min.
File: 29.97 MB

Seems like Joey Allcorn wasn’t born 50 Years Too Late after all. As predicted by this writer and others who have bought the old EP’s, traded bootleg recordings of live shows, and seen him live, this young singer/songwriter from Columbus, Georgia, is starting to experience a great deal of success. The Not-So-Nashville Star is taking the underground country world by storm and he’s just getting started. In case some of you have not heard the name Joey Allcorn, don't wait another minute to become acquainted with this up-and-coming, extremely talented artist. A mere 26 years of age, Allcorn has already been recording and playing real country music for eight years. Yes, real country music. If you are looking for “Save a Horse, Ride a Cowboy” or “She Thinks My Tractor’s Sexy,” don’t bother showing up for an Allcorn show. In fact, stay far, far away. This is because he delivers the real thing. His sound reflects country’s golden age when steel guitar and fiddle were still the signature sound of the genre, and when the lyrics actually moved its listeners. Allcorn does not sing soccer-mom fluff&ldots; he screams those old school cheatin-heart-honky-tonk-blues right into the skulls of the fans that long for the real deal. Scream is an appropriate verb choice, for he was influenced by Cobain just as much as he was by the country legends. So, even though he dons the cowboy hat and suit garb that Opry stars sported in the 1950s, Allcorn channels his wide variety of musical influences to ensure that his brand of the Drifting Cowboys sound is up-to-date and original. (iSound.com)

Track Listing:

1. In Nashville, Tennessee
2. I Just Don't Know
3. Where My Troubles Drowned
4. Ain't It A Shame?
5. Maybe It's Better This Way
6. Fewer Days Ahead
7. In The Land Of Israel
8. Lovesick Blues (live)
9. Move It On Over (live)
10. Where Did You Sleep Last Night (Nirvana)

Here's one that I picked up a quite sometime ago and just found in my files. I don't know the year but I'm guessing not long before "50 Years Too Late" hit the streets. Be sure to check out previous posts of Mr. Allcorns
music here and do your ears a favor, enjoy!


aAAAHH HAAaaw!

Wednesday, April 7, 2010

Psilocybinide - Across For Sympathy, Down For Death (2002)

Psilocybinide - Across For Sympathy, Down For Death

Genre: Stoner
Origin: Canada
Time: 25:54 min.
File: 53.09 MB (320 kbps)


Track Listing:

1. Face First Into The Sun/Two Black Horses
2. Cash, Grass Or Ass
3. Capsized
4. War
5. Whiskey Drinkin Blues

I could not find any information on this band but heres my story. I first heard Psilocybinide on Vol. 1 of the Stoner Rock comps of unsigned bands that you can download by going
here . The song was "Capsized" and for some reason it just stuck with me and left me wanting to hear more from them. I searched and searched to try to contact the band for more tunes but was unsuccessful so I gave up on my search. Fast forward a year and my search was back on. I found a link to Pablo, the drummers myspace page and contacted him to ask if Psilocybinide ever recorded a demo. He said yes, he had a copy that he would burn and send to me, needless to say it made my day! He asked where I had heard them so I told him and he said he forgot that they contributed to the compilation and was stoked that I was interested in the demo. Pablo now drums in a progressive instrumental jam band in B.C, Canada called Trophy Wife look them up here . Psilocybinide weren't reinventing the wheel but this 5 track demo makes for a rock'n listen. They played a whiskey fueled, bluesy brand of stoner rock that maybe you'll enjoy, I know I do! Light one up and give it a listen.

Riffage

Mike Ness gone' country


In 1989, Social Distortion signed a deal with Epic Records and released four albums with that label: the self-titled album (1990), Somewhere Between Heaven and Hell (1992) and White Light, White Heat, White Trash (1996).

The band left Epic Records after White Light, White Heat, White Trash (1996) and joined Time Bomb Recordings, releasing Mainliner: Wreckage From the Past (a collection of old recordings and singles that were done in the early ’80s) and Live at the Roxy (1998).


In 1999, Ness released his first solo album, Cheating at Solitaire. Although Social Distortion’s music had contained country inflections as far back as Prison Bound, Cheating at Solitaire was an unalloyed expression of Ness’s country side. ‘Solitaire’ included guest appearances by rock icon Bruce Springsteen, former Stray Cat Brian Setzer and drumming legend Josh Freese as well as members of Royal Crown Revue. Springsteen had touted Social D’s ‘Heaven and Hell’ as his favorite record of the year in a Rolling Stone interview in 1992. Ness continued in this vein, releasing a compilation of country covers entitled Under the Influences that same year. Both albums came out on Time Bomb Recordings. Ness toured extensively in the U.S. in support of these albums, backed partially by the present-day (2006) incarnation of Social Distortion; Charlie Quintana (drums) Brent Harding (standing & electric bass) and Johnny Wickersham (guitar tech). Ness and the band played at Woodstock ‘99. After that, his bandmate and guitarist Dennis Danell died on February 29, 2000 due to an aneurysm, but Social Distortion did not completely disband.




1999 - Cheating At Solitaire

Cheating at Solitaire is the first solo album from Social Distortion frontman Mike Ness. Released in 1999, it bypasses much of Social Distortion's punk  muscle in favor of a more roots-oriented approach to rock and roll. It features cameos by Bruce Springsteen, Brian Setzer, and members of Royal Crown Revue. Johnny Cash was invited to perform on the song "Ballad of a Lonely Man", but was too ill to record at the time.

"Dope Fiend Blues" and "I'm In Love w/My Car" were originally written/recorded in 1994 as a demo of Social Distortion's fifth album White Light, White Heat, White Trash. Ness also originally wrote some of the songs on this album around 1997 while Social Distortion was planning their sixth album.

Guest Musicians include: 
Bob Breen – Assistant Engineer
Jolie Clemens – Artwork
Tom Corbett – Mandolin
Mando Dorame – Sax (Tenor)
Paul Ericksen – Assistant Engineer
Josh Freese – Drums, Drums (Snare)
Daniel Glass – Drums, Drums (Snare)
Martin Klemm – Mixing Assistant
Chris Lawrence – Guitar, Pedal Steel
Veikko Lepisto – Bass (Electric), Bass (Upright)
Jamie Muhoberac – Keyboards, Organ (Hammond)
Mike Ness – Guitar (Acoustic), Guitar, Vocals, Producer, Artwork, Mixing
James Saez – Guitar (Acoustic), Guitar, Percussion, Keyboards, Producer, Engineer, Slide Guitar, Mixing
F. Scott Schafer – Photography
Eddy Schreyer – Mastering
Brian Setzer – Guitar
Bruce Springsteen – Guitar, Vocals
Billy Zoom – Guitar

Track Listing:

  1. The Devil in Miss Jones
  2. Don't Think Twice
  3. Misery Loves Company
  4. Crime Don't Pay
  5. Rest of Our Lives
  6. You Win Again
  7. Cheating at Solitaire
  8. No Man's Friend
  9. Charmed Life
 10. Dope Fiend Blues
 11. Ballad of a Lonely Man
 12. I'm in Love w/My Car
 13. If You Leave Before Me
 14. Long Black Veil
 15. Send Her Back

 Total Playing Time: 59:11



Check him out HERE


getyousome




1999 - Under The Influences


Under the Influences, the second (and most recent) solo album from Social Distortion's Mike Ness, is a compilation of country, rock, and bluegrass covers released just six months after his first solo effort, Cheating at Solitaire. As the title implies, Ness intends the album to be an illustration of the music that shaped him. Songs as diverse as "I Fought the Law" and "Wildwood Flower" make their appearance, each with Mike Ness's unique spin. Included is a honky tonk version of Social Distortion staple, "Ball and Chain".

The artists and the songs

Wayne Walker All I Can Do Is Cry
Wayne Walker is one of country music's more obscure figures. Better known as a songwriter than an entertainer, Walker has penned songs performed by a countless number of major acts including Elvis Presley, Eddie Cochran and Patsy Cline. He had his first big hit as a songwriter with I've Got A New Heartache performed by Ray Price and ten years later won the Billboard Song Of The Year award with All The Time. All I Can Do Is Cry was one of the few tunes both written and performed by him.

Marvin Rainwater Gamblin'Man
Of Indian ancestry, Marvin Rainwater was a singer and prolific songwriter who became a star briefly in the 1950's. Working in a variety of styles, Rainwater was equally skilled at western ballads, pop confessions and go-for-broke forays into rockabilly. His big crossover hit came in 1958 with the rocking Whole Lotta Woman which propelled him up not only the American pop and country charts, but also skyrocketed him to the number one position on the British charts. Rainwater's American fame was shorter lived than his success overseas and he continued touring there through the early 70's.

Carl Perkins Let The Jukebox Keep On Playing
Carl Perkins was one of the most influential figures in roots music. His country and rock 'n' roll tunes have been deeply ingrained in the American consciousness and are still widely played today. (Under his umbrella is Blue Suede Shoes - the song that made Elvis famous.) Let The Jukebox Keep On Playing is one of Perkins' earliest country songs, recorded before he started playing Memphis rock 'n' roll. Perkins later joined Johnny Cash's road show and continued to play music until he died in 1998.

Bobby Fuller I Fought The Law
Bobby Fuller is the father of "the West Texas rock 'n' roll sound." Deviating from the surf tunes that were dominating the California airwaves in the early 60's, Fuller incorporated the sounds of the British Invasion and Motown R&B techniques into his recordings. His biggest hit was the infamous I Fought The Law, released in 1963. Fuller was found dead three years later; the circumstances of his death remain suspicious to this day.

Marty Robbins Big Iron
Marty Robbins was one of country music's most successful and diverse performers. His vocal style was compatible with almost all types of country music: weepers, western ballads, pop standards and rockabilly. Robbins made his chart debut in 1952 and managed to place records on the country and pop charts every year for the next 31 years, ultimately taking 16 singles to the number one position. Big Iron appeared on the 1959 concept album Gunfighter Ballads And Trail Songs which was influenced by the movies of Gene Autry.

Billy Lee Riley And The Little Green Men One More Time
Billy Riley is one of rockabilly's original performers. In the 50's, affiliated with Sun Records after recording his first hit record Flying Saucer Rock there, Riley backed up many of the performers who came through the doors to do session work at the label. Joining him during many of these sessions were Roland James and J. M. Van Eaton who later became The Little Green Men. The three went on to record together and perform on the songs of other acts such as Johnny Cash and Roy Orbison for Sun until 1960. One More Time was one of Riley's last recordings for the label. Riley continued to work as a session player and touring musician for the next 25 years.

Hank Williams, Sr. Six More Miles/House Of Gold
Hank Williams, Sr. was country music's most charismatic and tragic figure. One of the few performers who wrote most of his own material, Williams left a legacy of over 700 songs, recording 129 during his career. He was only 13 when he started his lifelong band The Drifting Cowboys, who gained immediate recognition playing regularly on WSFA-AM in Montgomery, AL. Partnering with Fred Rose, a Nashville, TN music publisher, Williams signed to the newly formed MGM label in 1947 and quickly shot up the charts. His memorable performance of Lovesick Blues on the Grand Ole Oprey in 1949 won him a permanent place on the show. Unfortunately Williams was a habitual drug user and alcoholic who cut both his career and life short. He died on New Year's Day at the age of 29. Williams was well-loved in the country music community with over 20,000 people attending his memorial service. His albums continued to chart and sell after his death.

Jean Shepard A Thief In The Night
Few female country singers have produced a body of work as enduring as Jean Shepard. A country purist, Shepard is best known for her devotion to hardcore Honky Tonk, which gained her a series of Top Ten hits in the early 50's. In 1956, her success at a peak, Shepard was invited to join the Grand Ole Oprey. That same year she wrote and recorded Songs Of A Love Affair, the first-ever concept album in country music history. As rockabilly started to top the charts in the early 60's, Shepard fell out of site for nearly ten years as she remained committed to her undiluted brand of country music. Her star rose again in 1964 with the single Second Fiddle (To An Old Guitar) and Shepard continued to record until the end of the 1970's and tour well into the1990's.

George Jones Once A Day
Once called "the second best singer in the world" by Frank Sinatra, George Jones is one of the biggest stars country music has ever produced. His vocal style has influenced countless performers and though he suffered many personal and professional setbacks, Jones never left the top of the country charts through the length of his career. Jones started in 1957 on Starday records, doing stints on Mercury and UA, before settling into a record deal with Musicor where he spent a good number of prosperous years recording number one albums and singles for the label. But by the time he met and married his third wife country star Tammy Wynette in 1969, his career had begun to wane. After some dispute, he relinquished the rights to all of his Musicor recordings and switched over to Wynette's label Epic. The two began a musical partnership recording and touring, reviving Jones' career and making them the biggest stars in country music. Unfortunately, as the duo toured the country, Jones sunk deeper into the alcoholism and drug abuse that had simmered under the surface for years. Subsequently, their marriage and Jones' career began to fall apart. However, in the mid-seventies Jones became a star again in his own right. He was voted Rolling Stone's Country Singer of the Year in 1976 which was followed by a series of Top Ten hits that lasted until 1987.

Wanda Jackson Funnel Of Love
Wanda Jackson is credited with being America's first female rock 'n' roll singer. A child prodigy that could play both the guitar and piano by the time she was ten, Wanda Jackson's musical career began early. At 13 she had her own radio show; by 17 she was cutting records for Decca; and at 18 she was on tour with Elvis and subsequently became Capitol Records leading rocker. Jackson's recording career spans 40 years with over 50 albums to her credit. Originally released as a single, Funnel Of Love did not appear on a full-length record until Capitol Records put together a compilation CD of Jackson's greatest hits in 1997.

The Carter Family Wildwood Flower
One of the most prominent families in country music, the Carters enjoy a lineage of country music that spans from the early 1920's to the present. The original Carter Family (A.P. Carter, his wife Sarah and Maybelle Addington who joined the group after marrying A.P.'s brother Ezra) was first recorded in August of 1927. A short six months later the group recorded its biggest seller Wildwood Flower. The single was recorded at Camden in New Jersey on May 9, 1928 and has registered over a million in sales to date. In 1943 the group officially disbanded, having recorded over 250 songs. In 1960, Maybelle and her daughters began working as the Carter Family; June Carter eventually going solo and becoming part of the Johnny Cash Road Show (and later marring Johnny Cash). In 1970 the Carter Family was inducted into the Country Music Hall Of Fame.



Track Listing:


   1. All I Can Do Is Cry
   2. Gamblin' Man
   3. Let the Jukebox Keep on Playing
   4. I Fought the Law
   5. Big Iron
   6. One More Time
   7. Six More Miles
   8. A Thief in the Night
   9. Once a Day
  10. Funnel of Love
  11. House of Gold
  12. Wildwood Flower
  13. Ball and Chain

Total Playing Time:   41:14


Check him out HERE
getyousome




I just noticed that I uploaded both of these with variable bit rates, but no worries, I'll hopefully have them both converted to 320kbps by tonight.

Haints - Battle Of Wounded Heart (2007)

Genre: Alt. Country, Folk
Origin: Sacramento, California
File: 55 Mb (High Vbr)

Lineup:
Kepi (acoustic guitar, vocals)
Cory (electric guitar)
Roach (bass)
Scampi (drums)
David Houston (percussion)
Dan Janisch (vocals, guitar, piano, drums)
Anton Barbeau (vocals)
Rusty Miller (guitar)

Tracklist:
1. Carly Simon 2:59
2. Algebra Song 2:43
3. Battle Of Wounded Heart 4:16
4. Zombie Crush 2:07
5. It Only Goes To Show 2:12
6. Hair Of Gold (And Skin Of Blue) 2:36
7. Ivy Says 2:17
8. If You Need Me 2:16
9. Highwayman 3:38
10. Say It's Not You 2:28
Total Playing Time: 27:31

The Haints are a side project from Kepi of the Groovie Ghoulies that play country music with a bit of fetish for monsters. It's a fun album and for fans of the Ghoulies it's a must have. A couple of the songs were originally Groovie Ghoulie songs turned country rockers.

Battle Of Wounded Heart

Tuesday, April 6, 2010

Mailbag! Switchblade Cheetah's here to rip your face off.



The Mail Lady came bearing gifts last week...  Brian; vocalist of Switchblade Cheetah, sent in these two fine albums for me to post up. 



Hey Bro!

Brian from Switchblade Cheetah here! 
Here are two albums for your blog!

 
Switchblade Cheetah are from Tallahassee, Florida.  Formed in 2004, members include Brian Pitt vocals/drums, and Gregory Lee on vocals/all guitars.  They had a drummer but decided to kick him out and have been going strong as a two-piece for the last 3 years.  Switchblade Cheetah has played with bands such as The Circle Jerks, H.R. of Bad Brains, and Bomber.  Some of their influences include: GG Allin, Roky Erikson, Samhain, The Germs, and Domestic Dispute.  The purpose of Switchblade Cheetah is "To bring the best Gutter trash piss scum music" to the masses.  

  



 2007 - The Bone Gospel  (320kbps)


"The Bone Gospel" is our singles collection from 2007 which is more straight forward Punk Devil Thrash. 



Track Listing:

1.  Guns.Money.Bullets.Skulls
2.  Vigilante Justice
3.  Nightmoves
4.  Skull Helmet
5.  Spit It Out
6.  Downward Glowing Hoof Speak
7.  Ambush
8.  Hotel Hell Feast
9.  Goatbook
10. Renegade
11. Hellbones
12. Titanic Seeds
13. Feral Children
14. White Freightliner
15. Wolfbite
16. Adoring Seryans Dressed In Furs
17. Light Bearer
18. Father Wolf
19. Hanoi Scooter Boy
20. Wolf Christ Den
21. Spit It Out
22. Skull Helmet
23. Mercenary
24. Close Range Gunfighting
25. Vigilante Justice
26. Skull Helmet
27. I, They, We Let's Scare Tracy to Death
28. Bone Farmer
29. Wolfspeak

Damn!

These guys are great.  What I really love is the raw, straight forward approach that many bands fail to utilize.  Most of these songs stuck with me for a few days after listening to the album a couple of times, which is always a good thing.  After hearing this I'd definitely be down to hear the rest of their stuff.  










2009 - Trash Suckin' High Heeled Scum (320kbps)
 
 The second disc, "Thrash Suckin' High Heeled Scum" is our newest album and I feel that it is our definitive collection and sound.   It is more garage punk psychedelia occult scum.  


Track Listing:

1.  No Hope (Takin' that Risk)
2.  Bag of Bones
3.  Bonedog
4.  Gladiator Goat Wolf
5.  The Cup
6.  Slaughter High
7.  Hair of The Goat
8.  Out For Blood
9.  Do The Snuff Creek Shuffle
10. That's Off
11. Get Back A-Go-Go
12. I Touched the Beast
13. Bonelust
14. Holy Holy
15. Do The Cheetah Stomp
16. John Lawman
17. Beyond the Darkness
18. Ol' Bag Of Bones


All I can say is that you'd better be ready to Do the Snuff Creek Shuffle.  This album is a little different than the other, but I still like it.  Mainly because of the raw approach once again.  These guys are definitely having fun and writing some grimey stuff.  Overall I really enjoyed this, I Touched the Beast was one that stuck out as well as Hair of the Goat and Gladiator Goat Wolf.  Just take my word and check this shit out.



Switchblade Cheetah were also featured on the soundtrack for New Orleans' Terror Optics Studio's short film "Creepy Dean" which can be seen HERE  They are currently in the process of recording a new EP,  so be on the lookout for that, I'm sure Brian will keep us posted.    

Sunday, April 4, 2010

Ulcer - Discography (1998)

Ulcer - Discography

Genre: Powerviolence
Origin: Massachusetts
Time: 68:36 min.
File: 133.63 MB (320kbps)

Personnel:
Drums: Jim
Guitar: Justin
Vocals: Aaron
Guitar: Led (27 - 44)
Bass: Derek (27 - 44)
Bass: Ben (23 - 26)
Bass: Andy (1 - 22, 45)


"Ulcer was never about slogans or fashion. We never labeled ourselves as a "Grindcore" or "Powerviolence" band. We never put pictures of ourselves on our records because we always thought that bands like Blanks 77, Defiance, The Casualties etc. were really fucking lame for marketing themselves by putting out their (posed for) pictures all over their records. The three big scenes during the time of our existence were '77 drunk punks, the crusties and the straight edge emo kids. We didn't fit in with any of these scenes and we were accepted by a select few from each one. So you can guess that we had no qualms about slagging off people who gave us an attitude because we were not wearing the "right" clothes or playing the "right" music." Aaron Ulcer (singer)

Track Listing:


Indignation Lp (Bovine)
1. Civilization's Codex
2. Addiction
3. Words To Live by
4. Piece Of Meat
5. Wrapped In A Flag
6. Betrayed Generation
7. Blinded
8. Indifference
9. The American Farce
10. Breed Insanity

11. The Martyr
12. Down To The Wire
13. Happiness Is...
14. The Hierarchy
15. Bootlicker
16. Control freak
17. Your Definition
18. Question My Beliefs

19. Off The Pigs
20. Postcard Punks
21. I Won't Be Deceived
22. Just Another Label

Split 7" w/ Capitalist Casualties (6 Weeks)
23. Stand Alone
24. Choke On It
25. Scream About Nthing
26. Subterfuge

S/T 7" (Fetus)
27. Distort The Maning
28. Circle Of Hate
29. White Trash
30. Burn
31. Crawling
32. Revelation
33. Tradition
34. Tragic Flaw
35. Off The Pigs
36. Down To The Wire

Split 7" w/ Failure Face (Burrito)
37. Self Destruct
38. Morality
39. Cross Of Iron

40. LIVE 11/16/1995 Allston, Mass.

I got into these guys after purchasing their debut S/T 7" that was released on the short lived Fetus Records. I managed to pick up all of the bands output after that. This Discography came out on a killer label that was around throughout the nineties that I would follow closely, Bovine Records from Madison, Wisconsin. There is a hidden song 51 seconds(I think it is) after track 22, a cover of the Divinyls "I Touch Myself" that's pretty funny! Two songs from the S/T ep appear on the "Indignation" Lp and track 40 is a live recording of their last show ever and as they said in the liner notes "one of the best" they ever did. A couple of members went onto form another ripping band called Paindriver.


aaaAAAARRRGH!








Mojo Nixon - Whereabouts Unknown (1995)

Genre: Rock & Roll, Rockabilly
Origin: Chapel Hill, NC
File: 99 Mb (320kbps)

The Players:
Mojo Nixon - vocals, guitar & foot stompin'
Pete "Wetdawg" Gordon - piano, organ & vocals
Will Rigby - drums, vocals & aim-a-flame
Scott Yoder - bass & d.b.m.
Simon Chardlet - guitar & insanity

Off The Bench:
Blackie Pagano - bass
Jay Serman-Godfrey - guitar
Joe Flood - fiddle, mandolin, guitar & vocals
Vibemeister Bonehead - very big guitar & high hick vocals
Jeremy Tepper - harmonica electric
Tom Heyman - guitar parts unknown
Jeremy Jacobsen - claps

1. Gotta Be Free 2:12
2. Not As Much As Football 3:58
3. Mr. Correct (Don' Tell Me What To Do) 3:58
4. Buck Up and Stop Your Whinin' 2:48
5. My Free Will Just Ain't Willin' 3:24
6. Girlfriend In A Coma 4:08
7. The Pleasurelegience 1:37
8. Don't Ask Me Why I Drink 4:08
9. My T.V. Is Watchin' Me 3:05
10. Take A Look In My Eyes 2:03
11. Tie My Pecker To My Leg 3:20
12. You Can't Kill Me 6:28
13. If I Can Dream 2:54

This is the funniest album of all-time and it's got some truly good songs to boot.
Me, your Momma and some other whore...
Floatin' down the river on a shithouse door
Gonna tie my pecker to my leg, to my leg...gonna tie my pecker to my leg

Whereabouts Unknown

Saturday, April 3, 2010

Justin Townes Earl - Yuma EP (2007)







2007 - Yuma EP    

Genre: Folk, Country
Origin: Nashville, TN
Time: 19:01 min.
File: 34.65 MB (256kbps)



Justin Townes Earle has some pretty big shoes to fill, considering that he shares his name with two of American music’s best songwriters: Townes Van Zandt, and his father, Steve Earle. However, the younger Earle shies away from the musical styles of these two men, creating his own sound that is an amalgam of Depression-Era folk, classic country, pre-War blues, and early rock ‘n’ roll.


Track Listing:


1.  The Ghost Of Virginia
2.  You Can't Leave
3.  Yuma
4.  I Don't Care
5.  Let The Waters Rise
6.  A Desolate Angels Blues


I'm still in Country mode as you can see, I just stumbled across Mr. Earle's music about a year ago and I like it a lot.  I've showed this to a couple of my friends that are also into the more "traditional" style and I got mixed opinions. Most either love it or hate it.  I happen to love it.  If any of you want more,  I have his two full length albums and a couple of live recordings, just let me know.  

Check him out HERE

Friday, April 2, 2010

The Rip Offs (1994)


The Rip Offs - Got A Record

Genre: Garage Punk
Origin: San Francisco, Ca.
Time: 24.4 min.
File: 51.33 MB (320kbps)



Personnel:

Jason White: Drums
Jon Von:Rhythm Guitar
Greg Lowery: Bass Guitar
Shane White: Lead Guitar


Complete story
here.


Track listing:


1. Heat Seeker
2. Rip Your Heart Out
3.Fed Up
4. Cops
5. My Baby Yeah
6. Can't Take It
7. Baby Let Go
8. Zodiac
9. Can't Stop
10. Dolemite
11. Ugly
12. Shadow
13. Whats In It For Me
14. She Said Yeah


Really good Garage Punk from San Francisco, Ca. featuring former members of Supercharger and Mr. T Experience. Look at them on the cover, that's how they played live, dressed in all black with nylons over their heads and energy you wouldn't believe! I'm not really fully into Garage Punk but bands such as The Rip Offs, Supercharger, Teengenerate and Loli & the Chones really get my attention. This is a really fun listen that rocks by pretty fast, just keep hitting the play button!


123..Go!



Thursday, April 1, 2010

Jello Biafra With NoMeansNo - The Sky is Falling and I Want My Mommy (1991)

Genre: Hardcore punk
Origin: Nomeansno (Victoria, British Columbia, Canada) Jello Biafra (San Francisco, California)
Label: Alternative Tentacles
File: 87 Mb (320kbps)

Lineup:
Jello Biafra: Primary Artist, Vocals
John Wright: Drums, Vocals
Rob Wright: Bass, Guitar
Andy Kerr: Guitar, Bass
Cecil English: Background Vocals
Craig Bougie: Background Vocals
Mark Critchley: Background Vocals

Tracklist:
1. The Sky Is Falling, and I Want My Mommy (Falling Space Junk) – 3:15
2. Jesus Was a Terrorist – 2:34
3. Bruce's Diary – 5:19
4. Bad – 2:18
5. Ride the Flume – 2:38
6. Chew – 8:47
7. Sharks in the Gene Pool – 6:34
8. The Myth Is Real - Let's Eat – 5:45
Total Playing Time: 35:50

This is a unique collaboration with Jello from the Dead Kennedys and the Canadian bass heavy trio Nomeansno, and what a great idea it was! This album just flies through 8 blistering tracks at breakneck speed and never lets up until you cry. This fucker really smokes.

The Sky is Falling and I Want My Mommy

Wednesday, March 31, 2010

Short, Fast + Loud! Vol.1 (2000)



Short, Fast + Loud! Vol.1 (2000)


Hello readers of "Nola 504 and More" I'm just climbing aboard as a contributor to this great blog. I would like to give a big thanks to Swampchode and crew for the offer to become a member of the team and have a chance to get some tunes out that hopefully a few of you will enjoy. Bare with me as I slowly get the hang of things around here as a contributor as I was just a regular follower. If you like something give support to the band or label and purchase it, also it's really easy to leave comments......Cheers!
Mr.T

I didn't really know where to start so I'll bring a little variety to the plate so to speak....eh!

" Short, Fast + Loud! Vol.1" is a compilation of 40 bands from all over the globe bringing you sonic fury at break neck speeds and grinding heaviness. Released in 2000 by one of my favorite labels throughout the nineties, Slap A Ham Records. The comp shares the name with a 'zine started by Slap A Ham head honcho Chris Dodge (Spazz) and delivers exactly what the title states songs that are short, fast and loud. This was release # 59 in the Slap A Ham catalog that had an output of 64 total from 1989 to 2002. If you can get down to D.I.Y Fastcore, Grindcore, Crust, Noisecore, Powerviolence and Thrash then check this out.



Track Listing:

1. Aftermath - Loyalty Oath
2. B.S.E - What's Worse?
3. Catheter - Slain and Broken
4. Dataclast - Strategic Intertext

5. Daybreak - Romulan Boarding Party
6. Dead Nation - What Are You gonna Do about It?
7. Despite - Crust
8. Discordia - Segregacion
9. Dread 101 - Predestination
10. Dumbstruck - 180 Degrees
11. El Nudo - Hate and Hate
12. Entropia - Assunizone
13. Existench - Cleanse
14. Fetus Eaters - Father Howard
15. Goat Shanty - Thirteen
16. In Control - Crash and Burn
17. Insult - Let's Give Emo Something To cry about
18. Iron Lung - Pushing Life
19. Kontortion - Boxed In / Closed Off
20. Lana Dagales - Instrumental
21. Life In A Burn Clinic - Unsilence
22. Life's Halt - Take It To The Heart
23. Mouthbreather - Pandemic
24. Mukeka Di Rato - Mickey
25. Otophobia - Blue Polyester
26. Peruke - Your Choice
27. Pignation - Moral Demise
28. Point Of Few - Developed Research
29. Progeria - Life's Scars
30. Ruinacre - Atrophied Emotions
31. Ruination - Who's In Season
32. The Scarlet Letter - Collateral Damage
33. Shank - Ergot
34. Spaul - Unexpected Terms
35. Totally Ridiculous - Conquer Earth
36. Tusks Of Blood - Flesheater
37. The Ultimate Warriors - The Only Good Mark
38. Uniq - Take No Notice
39. What Happens Next - Those Who Own The Streets
40. Wilbur Cobb - N.S.T.



Lets go!

Tuesday, March 30, 2010

The Zydepunks - Finisterre (2008)



2008 - Finisterre

The fourth record from these New Orleans cult favorites is a kick ass good time with Eastern European, Breton and Cajun grooves infused with a fierce punk energy and lyrics in Spanish, English, French Creole and Yiddish. Comparisons to Gogol Bordello are inevitable but these five would absolutely hold their own in a sweat soaked dance floor throw-down.  - taken from Now Hear This

Track Listing:

1.  Papirossen in Gan Eden
2.  Angel Whiskey
3.  Blood Song
4.  Por la orilla del mar
5.  Dear Molly
6.  When My Ship Sails Away
7.  One More Chance
8.  Cuando crecerán los flores
9.  Song for Mike
10. Long Story Short
11. La vie est courte et cruelle


I thought I posted this up last week but as crazy as things have been going for me it must have slipped my mind.  These guys need no introduction here, unless you are a new visitor, The Zydepunks come back strong with 2008's Finisterre.  Expect more of what you heard on their previous efforts, as well as, (in my opinion) a tighter band as a whole.  I like to say that these guys sound could be described as "Heavy Zydeco" or "Zydecore".  I don't want to start a 3 year debate about sub sub sub sub sub sub genre's or anything though, ha!

Check them out HERE

getyousome


Kur, your gonna love this one. 

The Pandoras - Stop Pretending (1986)

Origin: Chino, California, USA
Genre: Garage Rock
CD reissue: 2006
Quality: 136 Mb (320kbps)

Line-up:
Paula Pierce (guitar, vocals)
Kim Shattuck (bass)
Melanie Vammen (keyboards)
Karen Blankfeld (drums)

Tracklist:
1 In and Out of My Life (In a Day)2:52
2 I Didn't Cry 3:01
3 Anyone But You 3:02
4 You're All Talk 2:52
5 That's Your Way Out 2:48
6 You Don't Satisfy 3:35
7 Let's Do Right 2:11
8 I'm Your Girl 2:14
9 The Way It's Gonna Be 3:16
10 Stop Pretending 2:36
11 Ain't Go No Soul The Pandoras 2:33
12 It Felt Alright 3:45
13 The Hump 2:36
14 I Want My Caveman 2:59
15 You Burn Me Up and Down 2:38
16 Bad Seed (Demo Version) 2:29
17 She's Ugly (Demo Version)2:45
18 Love Them, Leave Them (Demo Version) 2:14
19 Something I Can't Have (Demo Version) 2:49
20 You Don't Know (Demo Version) 2:42
21 Never Get Enough (Demo Version) 3:25
22 In and Out of My Life (In a Day) (Demo Version) 2:52
Total Playing Time 62:03

The Pandoras are an all-girl garage rock band that I discovered since I'm a huge Kim Shattuck (Muffs) fanboy and wow are they ever great! This will totally remind you of the great garage bands of the 60's.

Stop Pretending

Monday, March 29, 2010

Scott H. Biram - Somethings Wrong /Lost Forever (2009)




2009 - Something's Wrong/Lost Forever


Rock ‘n’ Roll ain’t pretty and neither is Scott H. Biram. The self proclaimed ‘Dirty Old One Man Band’ successfully, and sometimes violently, lashes together blues, hillbilly and country precariously to raucous punk and godless metal.

Biram ain’t no candy-ass singer/songwriter either, sweetly strumming songs about girls with big eyes and dusty highways. HELL NO!!! His singing, yodeling, growling, leering and brash preachin’ and hollerin’ is accompanied by sloppy riffs and licks from his 1959 Gibson guitar and pounding backbeat brought forth by his amplified left foot. The remainder of this one-man band consists of an unwieldy combination of beat-up amplifiers and old microphones strung together by a tangled mess of guitar cables.

Years of non-stop touring have honed his assault to a fine edge; his wide-eyed throw downs in the First Church of Ultimate Fanaticism routinely lead giddy followers to a fiery baptism.

Scott H. Biram won’t die. On May 11th, 2003, one month after being hit head-on by an 18-wheeler at 75 MPH, he took the stage at The Continental Club in Austin, TX in a wheel chair – I.V. still dangling from his arm. With 2 broken legs, a broken foot, a broken arm and 1 foot less of his lower intestine, Biram unleashed his trademark musical wrath.

When Scott H. Biram took the stage at his 2004 SXSW festival showcase right after Kris Kristofferson he was quoted as growling “They said that was a hard act to follow….I’m a hard act to follow motherfuckers!!” The stunned crowd looked on.

“Scott’s self described ‘dirty old one-man band’ had a captivating immediacy that big rock shows rarely reach. On stage Scott is a man possessed, spitting and snarling like a Mississippi juke-joint shouter on a moonshine bender.” – Eben Sterling, Thrasher

“He has a true stage presence that could be fairly compared to that of Clint Eastwood on film. The dude’s more dude than most other dudes you will ever meet.” – Austin Columnist

“An impassioned multi-instrumentalist unleashing a brutal cacophany with the fury of someone whose check from the Devil finally cleared. Half dirty blues, half underground punk, half honky-tonk, half revival meeting…oh shut up about the math. You’ll see the light.” – Dayna Papaleo, Rochester City News

“His barbarous exorcism of Depression-era blues—with a bedrock of frantic flatpicking, foot stomps into a floor mike, and gutteral growls through a distortion mike—has made Biram a rising star in Austin.” – Brian T. Atkinson, No Depression

“Biram is the kind of guy you don’t laugh at all the way just in case he really is crazy. We all wanna be entertained, but nobody wants to get stabbed in the head with a screwdriver.” – Frank de Blase, Rochester City News

“With a raw immediacy that recalls Hasil Adkins and Bob Log III, Biram specializes in a twisted hybrid of gutbucket, hillbilly and godless metal. He’ll praise the virtues of moonshine and titty bars one minute, then tongue-lash city slickers and hippies the next.” – John La Briola, Houston Press


Track Listing:

1.   Hospital Escape
2.   Time Flies
3.   Sinkin’ Down
4.   Still Drunk, Still Crazy, Still Blue
5.   Aint It a Shame
6.   Judgement Day
7.   Draggin’ Down The Line
8.   Feel So Good
9.   Wildside
10. Hard Time
11. The Wishing Well
12. Go Down Ol’ Hanna


Here's another great album in rotation at my house right now.   This guy is is high on Hee Haw.  I swear, and listening to this makes me feel like I am too.  This is serious beer drinkin' Southern fried angry music at it's finest.


Check him out HERE


getyousome

He'll be touring this Europe April / May, so be sure to catch him when he passes through.
  

Saturday, March 27, 2010

The Reverend Horton Heat - Laughin' & Cryin' (2009)

Most recent release by The Rev. and boys and it's just as good as you'd expect...

"Laughin’ & Cryin’ with the Reverend Horton Heat finds the Rev (and Jimbo and the boys) back with a brand new barrel of licks. Naturally, this album contains tracks that touch on all of the styles RHH is known to employ, from country blues and Texas swing to hillbilly hi-jinks and ripped up rock ‘n’ roll. Mostly, though, this time out has Jim Heath wearing the greasepaint and playing the rockabilly rodeo clown.

The opening “Drinkin’ and Smokin’ Cigarettes” immediately gets things swinging with a promise to keep enjoying vices until love reforms those wayward ways. “Ain’t No Saguaro in Texas” aims to set the world straight about Hollywood’s go-to comical cactus (you know, the one that looks like it’s surrendering at gunpoint?). Musically, the song is a little like the soundtrack for a cartoon, not in a goofy sound-effect sense, but in its mix of sounds used to propel the lyric narrative. A polished, Nashville-style country music mood meets a mariachi/polka beat. Oh, and it’s catchy, too. Once this song makes the rounds, no filmmaker will ever mistake Arizona for the Lone Star State again!

The funny stuff continues with “Death Metal Guys”, a song about the many marked difference between rockabillies and the title’s types, which features a fast pace and blistering guitar that approaches the psychobilly threshold of old, but doesn’t quite cross it. But that’s not a bad thing, as this song will surely become a live favorite. Next up, “River Ran Dry” takes a downturn, lyrically, as drought is addressed (via an absence of catfish). However, musically it’s another upbeat rockabilly classic. “Please Don’t Take The Baby To The Liquor Store” and “Oh, God! Doesn’t Work In Vegas” are two more tracks that take serious subjects (alcoholism and gambling addiction) and turn them on their ears, Reverend Horton Heat style. Both piano-driven, bass-slappin’ humor-in-hard-times examples of what Heath does best.

Much of the rest of the album is filled with some countrified pride sentiments, such as “Rural Point of View” and “There’s a Little Bit of Everything in Texas” (except, of course, Saguaro), and with more comedy like “Beer Holder”, “Crazy Ex-Boyfriend”, and “Just Let Me Hold My Paycheck”. In a brilliantly weird, almost lounge-lizard song of lost love, “Aw, the Humanity”, we hear of the Hindenburg of broken hearts, and Snoopy and all four members of Led Zeppelin are mentioned by name. There are also two genius instrumental tracks. “Spacewalk” is a gorgeous, mesmerizing pedal steel piece that takes Santo and Johnny to the stars, while “Oh by Jingo!” ends the album with a cool-rockin, country-pickin’ nod to Chet Atkins.

Some fans of the Reverend Horton Heat might lament the lack of psychobilly barn-burners on this record, or resent what they perceive to be a mellower, more mature Reverend. How sad for them if that’s the case, because although it’s true that these tracks tend to lean a bit more in the direction of the country part of rockabilly than toward the rave-up rockers, it still seems to me that there’s a lot more laughin’ than cryin’ going on here." ~ Popmatters.com


1. Drinkin' and Smokin' Cigarettes
2. Ain't No Saguaro in Texas
3. Death Metal Guys
4. River Ran Dry
5. Please Don't Take the Baby to the Liquor Store
6. Aw, the Humanity
7. Rural Point of View
8. Oh God! Doesn't Work in Vegas
9. Spacewalk
10. Beer Holder
11. Crazy Ex Boyfriend
12. There's A Little Bit of Everything in Texas
13. Just Let Me Hold My Paycheck
14. Oh By Jingo!


RHH - L&C : Awright...

Band Site


The Reverend Horton Heat - The Full Custom Gospel Sounds Of.....(1993)


This is probably my favorite album by these crazy Texan's, but everything they've put out is really good. But what do you get when you mix Gibby Haynes with The Rev. and crew? Badassness, that's what...Not a filler song on this one and "Bales Of Cocaine" and "400 Bucks" are just flat out awesome! I've been listening to this from time to time for the last 15 years and it NEVER gets old.


"When the Reverend Horton Heat returned with a sophomore album, he had fellow manic Texan Gibby Haynes (of Butthole Surfers fame) riding the production board. Recorded in Memphis's Ardent Studios, GOSPEL SOUNDS is yet another rabble-rousing batch of slap bass, breakneck-speed guitar, and the raspy singing of the good Reverend Heat (Jim Heath).

When Heat isn't whooping it up with the lascivious "Wiggle Stick," he's putting on a nimble display of fingerpicking on the instrumental "Beer: 30." Unfettered garage rock is furiously delivered on such manic workouts as "Big Little Baby," the runaway "Lonesome Train," and the chugging, fleet-fingered "Bales of Cocaine," an amusing tale of drug smugglers. A highlight is the Mojo Nixon-flavored and absurd "You Can't Get Away From Me," a rollicking ditty about a groupie in which the Stray Cats, Charlie Sexton, and the Red Hot Chili Peppers are mentioned. It's all wrapped up by the absurdist singalong double-entendre "Nurture My Pig," which segues into the avant-garde "Gin and Tonic Blues," an atonal dirge that the Reverend admitted to passing out in the middle of recording." ~ cdUniverse.com

Recorded at Ardent Studios, Memphis, Tennessee.

Personnel: Reverend Horton Heat (vocals, guitar); Jimbo Wallace (vocals, upright bass); Taz (vocals, drums)


1. Wiggle Stick 3:00
2. 400 Bucks 3:09
3. The Devil's Chasing Me 5:21
4. Livin' on the Edge (Of Houston) 2:52
5. You Can't Get Away from Me 2:26
6. Beer:30 3:00
7. Big Little Baby 2:31
8. Lonesome Train Whistle 3:22
9. Bales of Cocaine 2:11
10. Loaded Gun 4:18
11. Nurture My Pig! 4:00
12. Gin and Tonic Blues 3:39


RHH - TFCGSO : Awright...

Myspace