Thursday, December 10, 2009

The Meads of Asphodel - The Early Years (2009)

Genre: Medieval Experimental Black Metal/Folk
Lyrical Themes: Biblical Apocrypha, Spirituality, War, Dystopia
Origin: United Kingdom (Herts)
Formed: 1998
Stayus: Active

Track list:
1. Angelwhore 4:51
2. Book of Dreams 5:41
3. The Gleaming Red Serpent 5:53
4. Just Another Time to Kill 5:00
5. Pale Dread Hunger 5:41
6. Rise in Godless Hell 4:05
7. Give Me Fire (G.B.H. cover) 3:03
8. Neurodeliri (Bulldozer cover) 4:51
9. Bound Alive 3:35
10. Bleed for Me 3:43
11. Calling All Monsters 4:50
12. Paradise 4:14
13. Another God in Another Place 4:19
14. Ogs Last Stand 4:27
Total playing time
01:04:13

#1 & #2 taken from the 1998 demo "The Bemoaning Of Metatron".#3 & #4 taken from the 1999 demo "Metatron And The Red Gleaming Serpent".#5, #6 & #7 taken from the 1999 demo "The Watchers Of Catal Huyuk".#8 is an unreleased track from what was to be a split 7".#9 appeared on Godreah Records' "No Holy Additives Vol. 4" in 2000.#10 is previously unreleased.#11 was a bonus track for the first pressing of "The Excommunication Of Christ"(2001).#12, #13 & #14 are demo versions of tracks intended for the "Jihad" split CD(2002).

This is just a great compilation of all the early Meads material and it somehow is my favorite of theirs to listen to. You will understand once you give this a listen. It's all a fun, rocking good time.

Download

Horn - Naturkraft (2008)

Genre: Black Metal
Lyrical themes: Nature, Natural Disasters, Illness, Mankind
Origin: Germany (Paderborn, North Rhine-Westphalia)
Lineup: Nerrath (Niklas Thiele) - Vocals, guitar, bass, drums, all arrangements
Formed in: 2002
Status: Active

Track List:
1. So kalt wie nie zuvor 9:48
2. Deute die Zeichen stehen auf Sturm 8:54
3. Marsjerende 9:22
4. Space Above Capacity 6:28
5. Akustikeinschub 3:43
6. Landscapes on Hold II 9:39
7. Mit Macht der Welt zu widerstehen 9:23
8. Naturkraft 5:18
Total playing time
01:02:39

This one man project from Germany is simply astounding! This is organic, melodic, triumphant, epic, battle weary and majestic all rolled up into one great album, Horn's latest and best to date.
I have a feeling that the next one is going to be mind blowing, too, since Nerrath seems to be totally perfecting his style. Don't pass on this one!

Naturkraft (151 Mb/320kbps)

Wednesday, December 9, 2009

Skerik's Syncopated Taint Septet - 2006 - Husky




2006 - Husky

Husky is a studio album by Skerik's Syncopated Taint Septet released 2006. It was recorded at the Sound Factory in Los Angeles, California March 2004. Much of the recording is first takes. Skerik talks about recording the album:

    "For me, Husky is that rare combination of everything lining up perfectly at the right time. You're lucky if you get one of these in a lifetime. The band had been on the road touring, so we knew the music inside out. We had a day off in Los Angeles, so we went into The Sound Factory, which is a one-of-a-kind studio out there and cut the entire record that day."

Musicians:

    * Craig Flory - baritone saxophone and clarinet
    * Hans Teuber - alto saxophone, flute
    * Steve Moore - trombone, Wurlitzer electric piano
    * Joe Doria - Hammond organ
    * Dave Carter - trumpet
    * Skerik - tenor and baritone saxophone
    * John Wicks - drums
    * Isalee Teuber - vocal on "Daddy Won't Taint Bye-Bye"

Track Listing:

   1. "The Third Rail"
   2. "Go to Hell, Mr Bush"
   3. "Syncopate the Taint"
   4. "Fry His Ass"
   5. "Don't Wanna"
   6. "Song for Bad"
   7. "Taming the Shrew"
   8. "Irritaint"
   9. "Summer Pudding"
  10. "Daddy Won't Taint Bye-Bye"

As I said in earlier posts, I am a Skerik fanatic.  I've seen the guy live with many other musicians and it's always great.  This is another one of my favorite albums of all time so, I figured I'd share.  Check this shit out!

Fry His Ass

Also, I may not be posting much / or, at all this week because I'm having surgery tomorrow morning.  I'm sure Kur and the gang will keep things interesting here. 

Now go listen to the Taint!

Monday, December 7, 2009

Through The Pain- Time Heals Nothing





Genre: Black Metal
Lyrical Themes: Personal Advancement & Experiences through Pain
Country: Germany
Year: recorded in 2008, released in 2009

Lineup:
Baelvect - Vocals, Guitar
Wiedergaenger - Bass
R. - Drums(session)

Suicidal Black Metal has been creating quite a stir recently within the black metal scene. It's basically one of the many offsprings of Burzum, but on the complete opposite side of NSBM. Through the Pain is yet another suicidal black metal band, and they bring hardly anything new to the table except for executing a depressive atmosphere perfectly. This is how Suicidal Black Metal should be: Relaxing, slow, worn-out screechy vocals a la Varg Vikernes, and just a feeling of despair that leaves you breathless, and sucks the happiness right out of you.

Cyanide, anyone?

Official

Metal-Archives

Young Tuxedo Brass Band - 2007 - Jazz Begins: Sounds of New Orleans Funeral and Parade Music

The Young Tuxedo Brass Band is a brass band from New Orleans, which was influential on the New Orleans jazz scene in the years after World War II.

The Young Tuxedo Brass Band was founded in 1938 by John Casimir. Its name is a nod to the Tuxedo Brass Band of Papa Celestin, an important ensemble active in New Orleans in the 1910s and 1920s. The ensemble generally held between nine and eleven players, with two trumpets, two trombones, two reeds, a sousaphone or tuba, a snare drum, and a bass drum. Their first record was issued in 1958 on Atlantic Records, and featured Paul Barbarin on drums; other personnel included Andy Anderson and John Brunious on trumpet, Clement Tervalon, Eddie Pierson, and Jim Robinson on trombone, reedists Herman Sherman and Andrew Morgan, and drummer Emile Knox.

In 1963 Wilbert Tilman, the group's founding sousaphonist and Casimir's cousin, took control of the group, but retired later that year due to poor health; Andrew Morgan took over until his death in 1972. Following this Herman Sherman became the group's leader until his death in 1984. During Sherman's tenure, they toured the United States and overseas. In 1983, they recorded Jazz Continues, featuring Michael White and drummer Charles Barbarin. Trumpeter Gregg Stafford has led the group since 1984.



2007 - Jazz Begins: Sounds of New Orleans Funeral and Parade Music


Track Listing:

1.Lead Me Saviour   
2.Eternal Peace
3.Medley of Hymns: Flee as a Bird/Nearer My God to Thee/Pleyel's Hymn
4.Just a Closer Walk with Thee
5.Bourbon Street Parade
6.Lord Lord Lord
7.Just a Little While to Stay Here
8.Panama   
9.It Feels So Good       
10.Joe Avery's Piece   
11.John Casimir's Whoopin' Blues

This is a MUST HAVE.

yeayouright

Wesley Willis - Greatest Hits Volumes 1 and 2



1995 - Greatest Hits Vol. 1

Track Listing:

1. Rock N' Roll McDonald's
2. Larry Nevers/Walter Budzyn
3. Rick Sims
4. Outburst
5. Chronic Schizophrenia
6. Urge Overkill
7. Skrew
8. Tammy Smith
9. Vampire Bat
10. Elvis Presley
11. Chicken Cow, The
12. Kris Kringle Was a Car Thief
13. Easy-E
14. Jesus Is the Answer - (special appearance by the Wesley Willis Fiasco)
15. He's Doing Time in Jail - (special appearance by the Wesley Willis Fiasco)
16. I'm Sorry That I Got Fat - (special appearance by the Wesley Willis Fiasco)
17. Aftab Noorani
18. Norhwest Airlines
19. I Wupped Batman's Ass
20. Who Killed John Columbo
21. Stabbing Westward
22. Richard Speck




 
 
1999 - Greatest Hits Vol. 2

Track Listing:

1. Vultures Ate My Dead Ass Up, The
2. They Threw Me Out of Church
3. Oil Express
4. F*** You
5. Birdman Kicked My Ass
6. Make Sure I'm Out Screwing Up
7. I'm Running My Inkpen
8. Caryn Shaffer
9. Cut the Mullet
10. Jello Biafra
11. Suck a Caribou's Ass
12. Stop the Violence
13. Feel the Power of Rock & Roll
14. Frogs, The
15. Aime - (previously unreleased)
16. Girls on Film
17. Lotion
18. I Broke Out Your Windshield
19. Arnold Schwarzeneggar
20. Mr. Scarface
21. Al Capone
22. Harmony Joy Bus Ride


It look's like a rat's nest.

Here's the two Greatest Hits albums that I promised a while back.  Get ready for some laughs.

Sunday, December 6, 2009

Forest of Fog - Abgründe (2006)

Genre: Melodic Black Metal
Lyrical themes: Nature, misanthropy
Origin: Switzerland (Zürich, Zürich)
Formed: 2003
Current Label: Schwarzmetall Musikproduktionen
Status: Active

Lineup:
Ivo "I.H." Henzi (aka Warburz) - Guitar, bass, vocals, synth, programming (Eluveitie)

Track List:
1. Der letzte Triumph 6:29
2. Nebelnacht 4:30
3. Die Vision 4:37
4. Stumm 4:58
5. Boten des Unheils 5:18
6. Ein neuer Tag 6:15
7. Der Turm 6:35
8. Am Abgrund 6:57
Total Playing Time: 45:39

Forest of Fog is a one man black metal project from Switzerland, and believe me when I tell you that Ivo can really tear shit up on the guitar. This is mid-paced black metal with a lot of very melodic and memorable parts. Abgründe is Forest of Fog's latest cd and I've been waiting patiently for a new one but I really don't know what's going on with that. In the meantime, I'll also try to post up his other full lengths.

Abgründe

Heimdalls Wacht - Der Untergang der alten Welt (2006)

Genre: Pagan Black Metal
Origin: Germany (Ahlen, North Rhine-Westphalia)
Formed In: 2004
Status: Active

Lineup:
Narhemoth - Vocals
Saruman - Vocals, Guitar, Bass
Feuerriese - Drums

Tracklist:
1. Die Tränen des alten Wächters 6:20
2. Des Nordens Stern 8:16
3. In kalten Schatten versunken 6:43
4. Der letzte Marsch 5:12
5. Weltenbrand 15:34
6. Unter dem Banner der weißen Hand 6:24
7. Weißes pferd auf rotem Grund 5:39
8. Ein Denkmal für die alte Welt 7:12
Total Playing Time: 01:01:15

This is Heimdall Wacht's 2nd full length release and it's an epic hypnotizing journey in the vein of Paysage D'hiver and Lunar Aurora with more emphasize on Folk/Pagan/Natural themes. This album is 100% organic sounding with semi-raw production and it's sure to leave you in a state of tranquility.

Download

Saturday, December 5, 2009

Critters Buggin - 1998 - Bumpa




 1998 - Bumpa

Bumpa is a studio album and live album by Critters Buggin of Seattle, Washington released in 1998. Originally released by Loosegroove, Bumpa was reissued by Kufala Recordings in 2004.

Album Credits: 

 Matt Chamberlain: drums, percussion, loops, samples, digital editing
 Brad Houser: basses, baritone saxophone, Rhodes piano bass
 Skerik: tenor, baritone and soprano saxophones, hammond bass, keys, Rhodes piano, analog synth
 Mike Dillon: percussion, conga, tabla, vibes





Track Listing:

1.  Fluoride    
2.  Brozo the Clone    
3.  I Ate Lucy     Listen
4.  Chimp & Ape    
5.  Senjara    
6.  Raimondi    
7.  Bomb Ass Tick    
8.  Joe Sard    
9.  Trucker Beak
10. Fast Johnson    
11. Pedro Lovin'    
12. 33     Listen
13. 1 2 3 4    
14. Joe Sard (Reprise)

Critters Buggin is a band every (molecular) record-store owner must hate. Where do you file a band that jumps from skronk jazz to dance beats to frenetic turntable scratching? And how do you classify tunes like these when elements of world music--tablas and congas--occasionally kick in? Well, you sit back and enjoy the ride. The Critters Buggin collective--four guys with more than enough horns, samplers, drums, effects pedals, guitars, and energy to go around--traverse the entire musical spectrum on Bumpa, from drum & bass to funk. Some cuts sound like the ROVA Saxophone Quartet gone groovy--really groovy. "Flouride" is a crazed keyboard rock romp, "I Ate Lucy" is almost straight jazz, and "Brozo the Clone" is just tame enough to be labeled as acid jazz. File under: fun. --Jason Verlinde

This is probably my favorite CB album, the first track "Fluoride" is enough to have anybody hooked.  If you enjoyed the other CB albums that I posted, you should love this one.

Thursday, December 3, 2009

Ben Nichols - 2009 - The Last Pale Light in the West



The sparse, dark, and aggressive alt-country, bluegrass, and southern rock ballads of The Last Pale Light in the West are guttural poems set to knee slapping fireside guitar riffs. The 7-song CD is a short, but impressive, solo debut for Lucero lead singer Ben Nichols. It is reminiscent of Bruce Springsteen’s 1982 classic Nebraska. A stark recording, the only instruments on The Last Pale Light in the West are guitars, an accordion, a piano, and Nichol’s gruff, engaging voice.
The recording is a soft piece with grim themes. The guitars lead everything, while the pianos and accordions haunt the stories Nichols tells. All the songs are written by Nichols and based on the 1985 Cormac McCarthy novel Blood Meridian: or the Evening Redness in the West. McCarthy’s Meridian is considered by many to be a modern America classic of literature, a gritty western novel about a teenage runaway “the kid,” who joins a gang of scalp hunters who massacre Indians on the U.S.-Mexico border in the 1800s. The story is based on actual events and has been praised for it’s nightmarish beauty and magnificent language. As Nichols translates the novel into brief songs he displays his gift for crafting a story and delivering intricate emotions and settings through brief phrases.
Only one song on The Last Pale Light in the West is longer than five minutes, and the closing song is an instrumental tune. Nichols begins the album with the title song, which sets the theme for the album, telling the story of a remorseless character who is bound to go west. The second song is “The Kid” – a rolling biography of The Kid – a tune that tells of a forgotten child who meets up with the devil.
The lyrics throughout the album work in many of the characters and places from Blood Meridian, and Nichols powerfully sorrowful voice shines through crisply — thanks to engineering by Doug Easley — overtop the soft, or possibly barren and dead with a harsh blood-tinged wind blowing, musical landscape that Nichols and his two partners (Rick Steff on accordian and piano, and Todd Beene on guitar) produce.

Nichols’ minimal lyrics illustrate the bleak musical layout: “Don’t believe in Hell / But he figures somehow / Even if it’s real / It’s gonna spit him back out”; “I done some preachin’ back in Texas before the war / Now I hunt heathens ‘cause it pays better than the Lord / I ride with Demons / The Devil at my side / Be it us or the heathens, we must all pay a heavy price”; “They took my ears in Omaha / Thought me dead but I weren’t at all / Left them bleeding in the mud / Branded me for horse thievery / Between my eyes for all to see / Left them bleeding in the mud / When this world was made / Was never meant to save / Everyone in kind / And I don’t believe / God much had me / Had me much in mind”. His phrasing delivers coldness and despair with pinpoint accuracy.
The Last Pale Light in the West is a gorgeous black and white photo of a homeless man on a cold New York street. Neon lights are around the corner, but the dark alley is the only way to get there, and there is no guarantee that the neon lights will save anybody. Going down the alley is a scary prospect, but there may be no way to stop your momentum, so you sharpen your teeth and challenge the shadows to a duel.
- review by Mike Hammer located HERE 

2009 - The Last Pale Light in the West

Track Listing:

1. The Last Pale Light in the West
2. The Kid
3. Davy Brown
4. Chambers
5. Tobin
6. Toadvine
7. The Judge

This is essential!! Big thanks to Devildowninga for sending this one!

getyousome

Wednesday, December 2, 2009

Shrum - 1997 - Red Devils and Purple Ringers



SHRUM was created by Audie T. Pitre in 1995 when he got the idea of putting two bass players together, in order to create a brutal sound. He shared this idea with Tommy Viator and they began creating what was the beginning of SHRUM. They were undecided as to whom they would get to play the second bass position. They asked Joseph J. Fontenot (they knew from a band called Shredding Lettuce) if he would be interested in the concept of a forming a band together with two bassists, drums and vocals. Enter second bassist, Joseph. The only question now was, who could they possibly get to become the vocalist, this would complete the "total package". Audie was a member of Louisiana's most notorious metal band Acid Bath, their singer Dax Riggs was the first one considered for the vocalist position of SHRUM. Dax went to one of the band's jam sessions and worked on a song. A song that would eventually become "Tears Of A Marionette". Dax's melody was perfect for the song but his lyrics just didn't work. Dax lived very far away, from everyone else in the band so it just didn't work out, unfortunately. Scott Leger would listen in on SHRUM's jam sessions. He said that he was a vocalist, but none of the band members had ever heard him. He was asked to try out for the vocalist position in SHRUM. The first practice he came to was very rough, he was trying to mimic Dax and that was definitely not what SHRUM was looking for. "We wanted something original" says Joseph. Audie then told Scott that he should be himself and sing with emotion. With that said, entered the brutal vocal style of Scott Leger Jr. SHRUM was on the verge of playing live shows, when abruptly Audie Pitre's life was taken in an automobile accident, along with his parent's lives. Red Devils and Purple Ringers were released to raise money for Audie Layne (Audie's son). The tape sold extremely well, eventually selling out completely. SHRUM completed it's first show with Kelly Pitre (Audie's little brother) filling in on bass. It was an outdoor block party. The response, and turnout for the event was absolutely unbelievable. After all this time had passed, people were still itching to here SHRUM play live. Since that time SHRUM has played a show at Zeppelins in New Orleans La. with Goatwhore. The show went great, afterward the band gave an interview to New South Metal Magazine. The question was asked "What does the future hold for SHRUM?" the answer was, "The future is wide open." As of right now SHRUM is no longer together, but legacy of Audie, and the SHRUM crew lives on threw their music. 


1997 - Red Devils and Purple Ringers

Track Listing:

1. Drip
2. Virus
3. Cybergod
4. Michelle Song
5. Psychedellic Abomination
6. Tears of a Marionette
7. Technodrone
8. Generation Hate
9. Disincarnation

Thanks to Tim over at angrychairs for posting this a while back, I had lost this tape YEARS ago, and this was tottally refreshing to hear again.

RIP Audie!

The Dwarves - Blood Guts & Pussy (1990)

Genre: Punk Rock
Origin: Chicago Illinois
Label: Subpop

Personnel:
Blag Jesus (now known as Blag Dahlia/Blag The Ripper)
The Dwarves - Producer
Jack Endino - Engineer
He Who Cannot Be Named
Jane Higgins - Photography
Julia - Photography
Michael Lavine - Photography
Vadge Moore
Salt Peter
Charles Peterson - Photography

Track List:
1. Back Seat Of My Car (Dwarves) – 1:06
2. Detention Girl (Dwarves) – 1:33
3. Let's Fuck (Dwarves) – 1:01
4. Drug Store (Dwarves) – 1:05
5. Skin Poppin' Slut (Dwarves) – :56
6. Fuck You Up And Get High (Sigh Moan) – :40
7. Insect Whore (Dwarves) – :53
8. Flesh Tantrum (Dwarves) – 1:07
9. SFVD (Dwarves) – :50
10. What Hit You (Dwarves) – 1:12
11. Astro Boy (Dwarves) – 1:20
12. Motherfucker (Dwarves) – 1:23
13. Gash Wagon 1:03
14. Bitch :13
16. Fuckhead :36

Ahhh, the early Dwarves, what a wonderful thing. This short adrenaline soaked LP is one ferocious garagey punk anthem after another. For fans of the early 90's Subpop sound.

Blood Guts & Pussy

Batmobile - 1991 - Sex Starved





1991 - Sex Starved


Track Listing:

1.   Uranium Love

2.   S.P.O.C.K.

3.   King's Evil

4.   Rock This Planet

5.   Can't Stop This Rock

6.   Roll On

7.   Police At The Door

8.   Haemorrhoid Rock

9.   Sex Starved

10.
In Orbit

11.
The Living Have More Fun

12.   Rock'In Rooster

13.   Mean Ugly Mama

14.   Give Me Some Pussy

Here's another classic Batmobile album.  If you enjoyed the rest, then you already know what to do...

Can't Stop This Rock

Church of Misery - Early Works Compilation (2004)


Genre: Stoner/Traditional Doom
Lyrical Theme: Serial Killers
Origin: Japan (Shinjuku, Tokyo)
Formed In: 1995

Lineup:
Tom Sutton - Guitars
Tatsu Mikami - Bass (G.A.T.E.S., Sonic Flower (Jpn), Salem (Jpn))
Junji Narita - Drums (Sonic Flower (Jpn))

Track List:

Disc 1
1. Spahn Ranch (Charles Manson)
2. Road to Ruin (Charles Whitman)
3. Reverend (Jim Jones)
4. War is Our Destiny (St. Vitus Cover)
5. Room 213 (Jeffrey Dahmer)
6. Taste the Pain (Graham Young)
7. Plainfield (Ed Gein)
8. In-A-Gadda-Da-Vidda

Disc 2
9. Murder Company (Henry Lee Lucas)
10. Son of a Gun (David Berkowitz)
11. Where Evil Dwells (Richard Ramirez)
12. Sick of Living (Zodiac)
13. Come Touch the Sky (Trouble cover)
14. Accident (Black Widow Cover)
15. Chains of Death (Death SS Cover)
16. Retal (Howard Unruh)

This is a double disc release of all of the material from the early splits and EPs and It's some of COM's best work. All the best serial killers are here! This is for fans of Saint Vitus and Black Sabbath for sure, it packs in the old school psychadelia and crushing Sabbathian riffs to create their own sound. Brilliant music to be found here. Welcome to the Church of Misery.

COM

The Muffs - Blonder and Blonder (1995)

Genre: Pop Punk/Rock
Origin:Los Angeles, CA
Released: April 11, 1995
File: 77 Mb (320kbps)

Personnel:
Ronnie Barnett – Bass
Rob Cavallo – Producer
Neill King – Engineer
Roy McDonald – Drums
The Muffs – Producer
Kim Shattuck – Guitar, Vocals

1. Agony - 2:27
2. Oh Nina - 2:39
3. On and On - 1:45
4. Sad Tomorrow - 2:09
5. What You've Done - 1:57
6. Red Eyed Troll - 3:45
7. End it all - 1:49
8. Laying On A Bed Of Roses - 2:11
9. I Need A Face - 2:14
10. Won't Come Out To Play - 1:51
11. Funny Face - 3:20
12. Ethyl My Love - 2:39
13. I'm Confused - 3:41
14. Just A Game - 1:59

Ok, I admit I am a Muffs fanboy from way back and I just had to share this brilliant album with those of you who may have missed out the first time. There's not a remotely bad song on this album and Kim Shattuck is in top form with a beautifully tender and innocent vocal performance highlighted by her amazing screams. Goddamn I love this album. It's fine-tuned pop punk perfection.

Red Eyed Troll

The Queers - Pleasant Screams (2002)

Genre: Pop Punk
Origin: Portsmouth, New Hampshire, USA
Released: April 9, 2002
Recorded: Sonic Iguana - Lafayette, IN

Personnel:
Joe Queer - Guitar, Vocals
Dangerous Dave - Bass, Keyboards, Vocals
Matt Drastic - Drums
Gretchen Smear - Lead Vocals on "You Just Gotta Blow My Mind"
Philip Hill - Guitar, Vocals
Dan Lumley - Drums on "Molly Neuman"

1. Get a Life and Live It - 1:58
2. See Ya Later Fuckface (King/Weasel) - 1:58
3. I Wanna Be Happy (Ramone/King/Weasel) - 3:05
4. Danny Vapid - 2:03
5. I Never Got the Girl - 2:55
6. It's Cold Outside (The Choir) - 2:47
7. Psycho Over You (Weasel/Dirty Walter) - 2:33
8. Generation of Swine - 1:53
9. Tic Tic Toc (Metal Mike Saunders) - 1:58
10. I Don't Want You Hanging Around (Weasel) - 2:17
11. Homo - 1:57
12. You Just Gotta Blow My Mind (Donovan) - 2:15
13. Debbie Be True (Fantastic Baggies) - 2:09
14. Molly Neuman - 14:40

This album is just a complete pop punk masterpiece. The Queers borrow influence from the Ramones and the Beach Boys and churn out catchy surf punk anthems one after another. The main thing is that this album is incredibly fun, you'll be bouncing around and singing along for the rest of your life.

Pleasant Screams 67 MB/320kbps

Tuesday, December 1, 2009

Ketea - 2009 - Alpha




 


Genre(s)
Sludge/Doom Metal
Origin
United States of America (Shreveport, Louisiana)
Current Label
Doom Dealer/The Church Within           
Current line-up
Emily - Guitar, Vocals
Lonnie - Bass, Vocals, Samples
Trey - Drums



Shreveport, Louisiana is a good ways north and west of the fabled New Orleans, and likewise, Ketea offer a sound north and west of fabled Nola acts like EyeHateGod, Suplecs, Mystick Krewe of Clearlight and Crowbar. Their emphasis, both musically and vocally, is on dynamics – each of the six songs on their Doom Dealer/The Church Within debut, Alpha, features finely honed changes that come in so hard they’ll crack your sheetrock and go out so smooth they’ll caulk it back up. Good for outdoor listening, I suppose.

Tonally similar to Zoroaster’s Dog Magic and mixed so the thick, hairy (which would have to be the next step up from fuzzy, right?) guitars and bass are primary considerations when listening, the sample-laden Alpha demonstrates its creators’ thoughtfulness in a variety of ways apart from the ease of transitions. All six tracks begin with the same letter as the album title, for example, and the songs are arranged so that “A Bomb a Nation,” the longest of the bunch, comes at the end of the vinyl’s side A. These may be small touches, but they show Ketea are putting real thought into their work, they’re passionate about it, where many bands just record songs, throw them together and call it a record.

What Alpha does exceedingly well is pull the listener into it and shove them out again. The trio – guitarist/vocalist Emily, bassist/vocalist Lonnie and drummer Trey – immediately set about modal deconstruction with opener “Alchemystery,” which begins with Acid King-style (if less confident) clean vocals from Emily before smashing Lonnie’s screams into the eardrum at 6:12. The interlude following the solo at 4:29 that leads into that segment helps set the range and overall mood of the album.


The more bass-driven “Affect the Hive” is the shortest and maybe the screamiest of the songs, with high-low growls and cackles playing off each other over a punishing guitar line, and the aforementioned “A Bomb a Nation,” finds Emily’s vocals more present in the mix, better sounding for it and accompanied by some Mastodonish rhythmic screaming. Side A ends quietly and side B, like the album itself, starts with a sample in “Apochrypha.” The more droned-out riffing, Kylesa-esque simultaneous vocal attack from Emily and Lonnie, insistent drumming from Trey and accordingly careful timing in the guitar provides further evidence that Ketea’s approach is well but not overly considered. They sound like their songwriting is a priority, but also that it is unforced.

“Andromeda” is the most sample-heavy of the songs, with some screams thrown in to keep things moving. What the samples are talking about I’m not sure because they’re partially buried under the music, but there’s a bit about the Kraken, which isn’t surprising given the band’s beast-of-the-sea moniker (the Cetea were water-bound monsters in Greek mythology). Closer “Above All” may not be the longest track on Alpha, but it is imbued with a sense of totality, be it because of the title or the massiveness of the riff around which it is centered and revolving. A longer interlude with dreamy guitar noises and echoes (cut off at 3:09) underscores once again that Ketea’s strength is in being able to switch between all-out brown note doom and quieter moments. The memorable guitar line soon makes its exit into about a two-minute feedback outro.

There are times when listening to Alpha feels like being picked up and put back down, but the organic sound of the band and the decided lack of awkwardness in their switching from one to the other is enough to make them stand out among their doomed peers in today’s crowded scene. They’re worth watching to see what they do down the line, but don’t let that stop you from missing them now either. Really dug this one.
  - Review by JJ Koczan (StonerRock.com)



2009 - Alpha


Track Listing:

1. alchemystery
2. affect the hive
3. a bomb a nation
4. apochrypha
5. andromeda
6. above all

Ketea are fucking AWESOME.  I had searched all over trying to get my hands on this,  especially since Shreveport is at the very top of Louisiana, it's not like I could have just bought it from a show.  I finally found it at The Mushroom in New Orleans, and I was super excited.  These guys (and girl) are vicious!!  I had only heard two or three songs from their Myspace over a year ago and I had my mind set on getting this.  With all the elements of the NOLA sludge legends, Ketea took that sound and added their elements of progression.  It was like the cherry on the sundae, or the jelly for your moldy peanut butter sandwich. 


As far as I know this is an exclusive Nola 504 and More download, I emailed Trey as soon as I returned home the record shop and asked if they minded if I put this up for all of you to hear,  and they gave me their blessing.  So with that said, I'm sure this will spread like wildfire because they are that damn good!!

Enjoy!  - swampchode


Alpha 

Don't forget to leave some comments!!! and go visit their Myspace Page!!!