Showing posts with label country. Show all posts
Showing posts with label country. Show all posts

Friday, October 24, 2014

V/A - The Death Roots Syndicate: Volume III (2014)



 Artist: Various Artists
Album: The Death Roots Syndicate: Volume III
Year: 2014
Genre: Dark Country / Blues / Folk
Origin: Earth

-Tracklist-
01 - Slate Dump - Make Me
02 - Whitfield Fahrenheit - Straight Razor Jack
03 - Slackeye Slim - Old John Boy
04 - Jesus and The Groupies - Betsy
05 - In the Land of the Blind... - She is Mine
06 - Moose Roberts - It's A Crime And Shame
07 - Cyanna Mercury - Ode To The Absent Father
08 - Sasha Boole - Iron and Stone
09 - Reverend Elvis - Midnight Train
10 - Bang Bang Band Girl - Lies
11 - t.k. bollinger and that sinking feeling - Nothing is always certain
12 - Os Penitentes - Corpo-Seco
13 - Brakkenor - Beautifully Rotten
14 - Trash Colapso & his Scrap Metal Truck! - El Vampiro
15 - Longshot Nelson and the Disjoints - Black Is The Colour
16 - SwampWolf - Inferno
17 - OldBoy - Even Less
18 - Jeremiah Crow's Insufferable One Man Show - Ingest
19 - Pigeon Petal - Reverie
20 - Sleepy Eyes Nelson - Worried Blues On My Mind
21 - Junk - Superstring
22 - The Krucifixion - Death Gospel
23 - Sons of Perdition - In the Air Tonight


Here is the third volume in a series of compilations I release on my Free Netlabel, Death Roots Syndicate. This label is dedicated to "Dark Roots" Music. I release a lot of Underground Country, Folk, Blues, Americana, etc. It features artists from all over the world playing different styles of music with a Dark feel to it. It also includes previously unreleased tracks from Slackeye Slim and Sons of Perdition.

You can Check out Death Roots Syndicate at:
http://deathrootssyndicate.blogspot.com

And here is a DIRECT DOWNLOAD

- GoatSerpent

Monday, August 30, 2010

Big Red Goad - Truck Drivin' Psycho (1997)


Genre: Country
Origin: Atlanta, GA
Label: Self Released
File: 47 Mb (320kbps VBR)

Track List:

01. A Tiger In My Tank (3:08)
02. Diesel Smoke, Dangerous Curves (3:30)
03. Thunder On The Road! (2:12)
04. A Tombstone Every Mile (3:13)
05. Payload Daddy (1:30)
06. I Got Lost (2:13)
07. My Bucket's Got A Hole In It (2:50)
08. Movin' On (2:23)
09. Understand Your Man (2:35)
10. Big Rig Rollin' Man (2:43)
11. Truck-Drivin' Son Of A Gun (2:12)
12. Freightliner Fever (3:03)
13. Jackknife (2:25)
14. Poor White Trash (1:56)

Total Playing Time: 35:53

Back in the 90's, the best high school teacher I ever had loaned me a copy of a zine that would forever change my life. It was called "ANSWER ME!" and had everything you would want to know about Serial Killers, Suicide, Depravity and of course, El Duce. I was never actually able to find my own copies until they were all reprinted as a huge book a few years ago (minus the Rape issue). The man behind this zine was Jim Goad. I later found out he had recorded a country album back in 1996, which is what you are about to download, right?!? As you might have guessed by the title, the majority of the songs are about Truck Driving across America and the shit that goes along with it. This is some classic, Johnny Cash influenced Country Music. Put the pedal to the metal and listen to some quality, REAL and rare White Trash Cuntry.

Check It Out

then

BUY A COPY

Wednesday, August 4, 2010

Phantom of the Black Hills - 2009 - Ghosts





From Rodentia Magazine:

Few albums take me by such a complete surprise as the debut by Phantom of the Black Hills’ “Ghosts”. From the first sounds of a fiddle decompose into a thuddingly dreadful banjo pluck on “Confessions of a Barn Burner” we know that there is an evil journey ahead of us.

Bluegrass banjo plucking behind the aggressive, nearly punk vocals dominate the album. The quality of the balance between the zero-twang vocals, top notch banjo playing, and Gun Club style punk meets country percussion cannot be understated. A misstep in any of these areas could have pushed the sound into one genre or another, but the album perfectly straddles the border between punk and country.

Sampling of women’s warnings, sermon’s, and what is presumed to be movie or radio blurbs are found throughout and are yet another risky addition that proved to be done perfectly. The samples add a mystique and vintage atmosphere to the album that would be lacking without. This is pushed to the limit on “They Shoot Horses, Don’t They”; a four minute galloping sound collage that Fatboy Slim and Satan would have made in the 1800’s.

"Ghosts" liner notes:

The Preacher said it best:

"Tell your God to get ready for blood"...Whether your devotion is to doom or destiny, the Phantom of the Black Hills will take you into Death's Dominion, a world where banjo pickers moonlight as murderers and a wanton fiddler takes his hat off to no one. On the new album "Ghosts", each song is a roll of the bones, and it shows that devils do howl (while angels moan). From the first song "Confessions of a Barn-Burner" to the last "Roses on a Grave", "Ghosts" makes a music that brings with it a murderous implulse and a desire for revenge...so get your gun out first and get "Ghosts", a toxic moonshine cocktail of countryaggrothrashcowpunk and hear something that others cannot.




2009 - Ghosts


Genre - Cowpunk
Origin - South Dakota
Time - 39:46
File - 88.69 mb 320kbps

Track Listing :
1 - Confessions of a Barn Burner
2 - A Great Day to Die
3 - Men Call Me Mad
4 - Olive Oatman
5 - Reb
6 - Prisoner For Life
7 - I Wasn't Born To Die Old
8 - Where The Wicked Flee
9 - Bandit Heart
10 - They Shoot Horse, Don't They
11 - Roses On a Grave


This album was sent in by one of our visitor's ChemaCazuRotten.  


These guys play a dark, upbeat kinda country punk hybrid that I think is pretty cool.   I really recall Men Call Me Mad standing out after the first listen too. 

Check them out here.


BUY

(Thanks to Chema)

Monday, June 7, 2010

The New Orleans Bingo! Show - Soft Emergencies (2005)

Somehow this one slipped past me and I didn't even know it was out there til yesterday. But I made that right via Amazon (it's available by digital d/l only) last night and haven't stopped listening to this shit since!! I was originally just hoping it would at least come close to the awesomeness that was Vol. II - For A Life Ever Bright (2008) and now I feel silly for worrying. This one is just as good, if not better, and is straight up addictive. These guys are sure to blow up soon so check them out now before they're a household name :)


"The exclamation that is Bingo! has been running on maximum power lately. After rarely touring for the many years that the act has been together, ringleader (ringmaster?) Clint Maedgen, along with supporting cast-slash-henchmen Ronnie Numbers and Mr. The Turk joined a loosened-up Preservation Hall Jazz Band for several months' worth of international dates since this spring, and still found time to release this 17-track opus.

For the unaware, Bingo! is not just a band. Bingo! is a show, a gang, and a potential entire arts movement. Bingo! incorporates sirens, bullhorns, intimidation, confusion, sharp suits, sunglasses, fezzes and all the best aspects of sleaze, crime, luck, cabaret, carnival and romance. The important thing here is that they're capable of evoking the most important parts of the multisensory experience of a Bingo! show, which includes aggressive light, noise, film screenings and actual bingo games on a record.

Soft Emergencies is incredibly diverse. The nasty, distorted grit of "Looking For That Lucky Five," with its clanging found percussion sounds and fuzzy organ is a junkyard creeper that gives way to Maedgen's angel-sweet vocals and smooth saxophone on the whimsical, romantic "Little Kitten." "Requiem #9" is a Kurt Weill-influenced cabaret tale that seems to be about pirates, and "She Loves A Circus" is a shivery, autumnal track with a dizzy, drunken calliope sound. Soft Emergencies should go with the Mardi Gras beads and pralines in your next New Orleans care package to someone far away; it's a perfect snapshot of New Orleans' most original band. -- Fensterstock" ~ CDBaby.com


  1. 1.WHEN THE WALLS BEGAN TO BREAK

  2. 2.AIRLINE HIGHWAY

  3. 3.I MIGHT NEVER GET IT RIGHT

  4. 4.LITTLE KITTEN

  5. 5.LOOKIN’ FOR THAT LUCKY FIVE

  6. 6.BRYNNDARELLA ROCKSTAR

  7. 7.SHE LOVES A CIRCUS

  8. 8.REQUIEM #9

  9. 9.PRECIOUS

  10. 10. TRAILER BY THE TRASHPILE

  11. 11. SOLACE

  12. 12. HALLOWEEN

  13. 13. DETECTIVE SONG #2

  14. 14. I GIVE IT ALL TO YOU

  15. 15. MID-CITY BABY

  16. 16. LULLABY FOR CLOUD 9

  17. 17. SPARKLES AND SPRINKLES



Play some NOLA Bingo!

Myspace

Buy it here

Sunday, May 30, 2010

How about some Sunday morning country jams??



Dale Watson isn't one to uphold the music industry's status quo. He's moving forward on his own terms and true to his own convictions. Even with frequent proclamations declaring him one of country music's last authentic voices (like that in Crazy Again--a recent documentary on Watson's life--when a fan declares, "son, you play country like country was when country was country"), Watson is done with the "C" word and what it's come to represent in modern times. So much so that he's created his own genre, simply called Ameripolitan. In a recent posting on his website (www.dalewatson.com), Dale explains it like this: "I've been trying to come up with a name the best describes this music that me and folks similar do. When folks ask, I hesitate, down right embarrassed really, to say country. I didn't used to be that way, but with the change in country, the term doesn't mean the same as it used to. If you say traditional, or old, or western swing most folks think 'retro' and dismiss it without hearing it. I wanted a name that didn't say country anything and didn't give anyone a preconceived idea. I came up with Ameripolitan. I even put it in Wikipedia defined as: Original music with 'prominent' roots influence." And so it goes with Dale Watson, the kind of unparalleled iconoclast that's far too rare in music today. - taken from Myspace









1995 - Cheatin' Heart Attack


Track Listing:


 1 - List of Reasons
 2 - Caught
 3 - She Needs Her Mama
 4 - That's the Day
 5 - Cheatin' Heart Attack
 6 - South of Round Rock, Texas
 7 - Tonite, All Day Long
 8 - Nashville Rash
 9 - Wine, Wine Wine
10 - You Lie
11 - Tell 'Em I Ain't Here
12 - Holes in the Wall
13 - Texas Boogie
14 - Don't Be Angry


While I'm still recovering from having my face ripped off Thursday night @ the Pentagram/EHG show, I've been listening to a good bit of stuff from this guy right here.  This one is Dale's first release for Hightone Records and I'd have to say it is essential for anyone who is a fan of alt/outlaw country music.  I've been so busy lately with the real world that I haven't taken the time to re-encode many of these at 320kbps but I will over the next few days.  I still have video's to edit and all that so sit back, turn your speakers up, and bear with me people.   This and a few other of Dale's albums are coming with me today while I paint the house.  


Check him out HERE


getyousome  

Friday, May 28, 2010

Damn Laser Vampires - Gotham Beggars Syndicate (2008)

"If Quentin Tarantino were to make a film based on a Bram Stroker novel, Damn Laser Vampires US debut Gotham Beggars Syndicate would be the soundtrack.

Damn Laser Vampires is a post-punk trio that brings elements such as polka, psychobilly, and new wave into a strange ground filled with high energy performances, menacing vocals, and an otherworldly ability to mystify and entertain. Traditional punk receives a dose of Transylvanian attitude as Damn Laser Vampires yell, scream, and howl through songs of God, The Devil, sex, drugs, alcohol, and self-doubt.

Ronaldo Selistre wails, growls, and snarls through the 13 track punk-psychobilly mayhem that is Gotham Beggars Syndicate . Selistre s vocals simultaneously entice and petrify, leaving the question of whether the sounds of this groaning Brazilian are those of pain, pleasure, or murder. Selistre, along with Francis K, provide the guitar work for the album: a dual layered sound of dark undertones and punk-blues riffs. Backed by Michael Munhoz providing roots meets punk driven sounds on percussion, Selistre and Francis K. provide the guitar sounds of a punk rock cabaret of all things macabre: as if The Hives were cross-bred with Nick Cave.

Born in 2005 in the cold Porto Alegre city, south of Brazil, they made their debut with the independent EP The Devil Is a Preacher , which immediately caught the attention of alternative media and brought a new color to the local underground musical scene. In their first two years of life, the southern Vampires have printed a trademark on the Brazilian alternative universe. They ve traveled through the country, playing in bars, halls, and festivals including Goiania Noise ( Brazil s main indie festival); jumped to the pages of the Brazilian Rolling Stone magazine; and put four tracks in the soundtrack of the new Gustavo Spolidoro film Ainda Orangotangos ( Still Orangutans ) which recently completed its successful participation in international cinema festivals in the Netherlands and Canada .

April brings the United States debut of Damn Laser Vampires with Gotham Beggars Syndicate . Thirteen songs of hard hitting sounds that will make all take notice. Songs such as Saint of Killers and The Devil is a Preacher demonstrate storytelling not traditionally found in the punk sound. Graveyard Polka brings the sound of an accordion to a new demonic low. Alongside these tracks traditional new wave influenced punk shines at its best with songs such as Sprawl , M.I. , and Bracadabro .

Devil s Ruin Records release of Gotham Beggars Syndicate shall unleash on the United States all the fury and talent of Damn Laser Vampires" ~ Amazon


Tracklisting :

1. House of the Flying Bottles
2. Louvre
3. Bracadabro
4. The Devil is a Preacher
5. M.I.
6. Gotham Beggars Syndicate
7. I Wanna Be An Old Bitch
8. Graveyard Polka
9. Let’s Get Drunk Together
10. Saint of Killers
11. Next Time You Ride
12. Everybody Were Stoned
13. Sprawl


DLV - GBS : Awright.....

Myspace

Saturday, May 15, 2010

The Pleasure Barons - Live In Las Vegas (1993)

Led by the late, great, Country Dick Montana and featuring the Reverend Mojo Nixon and the incomparable Dave Alvin, the Pleasure Barons laid waste to rock and roll convention. Call it cow punk, psycho-billy, or pure mayhem, this CD is a monument to what makes rock great. It will never happen again.

The greatest supergroup never to be seen again. Perfect mix of drunken pyschos doing fantastic music that would make the clowns at The Rock and Roll Hall of Lame quake in their booties.


"Blasters guitarist Dave Alvin spent the early '90s touring with the Pleasure Barons, featuring Mojo Nixon and Beat Farmers drummer/singer Country Dick Montana. Their rowdy stage show was chronicled on a 1993 concert album that didn't include the following encounter with an audience member.

Some guy in the audience in Isla Vista was heckling me nonstop," Alvin told the Reader, "and Mojo...jumped off the stage, grabbed the loudmouth, threw him to the floor, and dry-humped him into submission while the audience cheered. The poor heckler -- after Mojo was finished punishing him -- ran out the front door and probably never heckled anyone again. When Mojo jumped back onstage, Country Dick said, 'Good job, Mojo. Please come by my room later.'"

Mojo Nixon, Country Dick Montana, and Dave Alvin's Pleasure Barons are described at Wikipedia.org as "a Las Vegas revue from acts who aren't going to be asked to play Vegas." A live album was released of a second Pleasure Barons tour in 1993." ~ Sandiegoreader.com


1. Closing Time
2. Take A Letter Maria
3. Who Do You Love?
4. Louisiana Lip Lock
5. Debbie Gibson Is Pregnant
6. Games People Play
7. Jackson
8. Amos Moses
9. Gangster Of Love
10. Elvis Is Everywhere
11. The Definitive Tom Jones Medley
( It's Not Unusual/Delilah/What's New )

The Pleasure Barons: Mojo Nixon, Country Dick Montana (vocals), Dave Alvin (vocals, guitar).
Additional personnel: Caren Abrams (vocals), Joey Harris (guitar), Jonny "Fucking" Viau (saxophone), Tim "Steelbone" Cook (trombone, steel guitar), Juke Logan (keyboards, harmonica), Gil T. (bass), Jerry Angel (drums), Paul Kamanski, Douglas Farage, David Farage (background vocals, percussion).



Caren Abrams - Choir, Chorus, Vocals
Chris Bellman - Mastering
Country Dick Montana - Liner Notes, Mixing, Producer, Vocals
Dave Alvin - Guitar, Vocals
David Farage - Choir, Chorus, Percussion
Douglas Farage - Choir, Chorus, Percussion
Gil T. - Bass
Jerry Angel - Drums
Joey Harris - Guitar
Johnny Logan - Harp, Keyboards
Johnny Viauk - Saxophone
Jonny Viau - Saxophone
Juke Logan - Harp, Keyboards
Lou Beach - Cover Design, Cover Montage
Mark Linett - Engineer, Mixing, Producer
Mojo Nixon - Vocals
Paul Kamanski - Choir, Chorus, Percussion
Terri Lande Bromberg - Art Direction
The Pleasure Barons - Main Performer
Tim Cook - Guitar (Steel), Trombone
Tim Steelbone Cook - Guitar (Steel), Trombone


TPB - LILV : Awright.....

Wednesday, April 7, 2010

Mike Ness gone' country


In 1989, Social Distortion signed a deal with Epic Records and released four albums with that label: the self-titled album (1990), Somewhere Between Heaven and Hell (1992) and White Light, White Heat, White Trash (1996).

The band left Epic Records after White Light, White Heat, White Trash (1996) and joined Time Bomb Recordings, releasing Mainliner: Wreckage From the Past (a collection of old recordings and singles that were done in the early ’80s) and Live at the Roxy (1998).


In 1999, Ness released his first solo album, Cheating at Solitaire. Although Social Distortion’s music had contained country inflections as far back as Prison Bound, Cheating at Solitaire was an unalloyed expression of Ness’s country side. ‘Solitaire’ included guest appearances by rock icon Bruce Springsteen, former Stray Cat Brian Setzer and drumming legend Josh Freese as well as members of Royal Crown Revue. Springsteen had touted Social D’s ‘Heaven and Hell’ as his favorite record of the year in a Rolling Stone interview in 1992. Ness continued in this vein, releasing a compilation of country covers entitled Under the Influences that same year. Both albums came out on Time Bomb Recordings. Ness toured extensively in the U.S. in support of these albums, backed partially by the present-day (2006) incarnation of Social Distortion; Charlie Quintana (drums) Brent Harding (standing & electric bass) and Johnny Wickersham (guitar tech). Ness and the band played at Woodstock ‘99. After that, his bandmate and guitarist Dennis Danell died on February 29, 2000 due to an aneurysm, but Social Distortion did not completely disband.




1999 - Cheating At Solitaire

Cheating at Solitaire is the first solo album from Social Distortion frontman Mike Ness. Released in 1999, it bypasses much of Social Distortion's punk  muscle in favor of a more roots-oriented approach to rock and roll. It features cameos by Bruce Springsteen, Brian Setzer, and members of Royal Crown Revue. Johnny Cash was invited to perform on the song "Ballad of a Lonely Man", but was too ill to record at the time.

"Dope Fiend Blues" and "I'm In Love w/My Car" were originally written/recorded in 1994 as a demo of Social Distortion's fifth album White Light, White Heat, White Trash. Ness also originally wrote some of the songs on this album around 1997 while Social Distortion was planning their sixth album.

Guest Musicians include: 
Bob Breen – Assistant Engineer
Jolie Clemens – Artwork
Tom Corbett – Mandolin
Mando Dorame – Sax (Tenor)
Paul Ericksen – Assistant Engineer
Josh Freese – Drums, Drums (Snare)
Daniel Glass – Drums, Drums (Snare)
Martin Klemm – Mixing Assistant
Chris Lawrence – Guitar, Pedal Steel
Veikko Lepisto – Bass (Electric), Bass (Upright)
Jamie Muhoberac – Keyboards, Organ (Hammond)
Mike Ness – Guitar (Acoustic), Guitar, Vocals, Producer, Artwork, Mixing
James Saez – Guitar (Acoustic), Guitar, Percussion, Keyboards, Producer, Engineer, Slide Guitar, Mixing
F. Scott Schafer – Photography
Eddy Schreyer – Mastering
Brian Setzer – Guitar
Bruce Springsteen – Guitar, Vocals
Billy Zoom – Guitar

Track Listing:

  1. The Devil in Miss Jones
  2. Don't Think Twice
  3. Misery Loves Company
  4. Crime Don't Pay
  5. Rest of Our Lives
  6. You Win Again
  7. Cheating at Solitaire
  8. No Man's Friend
  9. Charmed Life
 10. Dope Fiend Blues
 11. Ballad of a Lonely Man
 12. I'm in Love w/My Car
 13. If You Leave Before Me
 14. Long Black Veil
 15. Send Her Back

 Total Playing Time: 59:11



Check him out HERE


getyousome




1999 - Under The Influences


Under the Influences, the second (and most recent) solo album from Social Distortion's Mike Ness, is a compilation of country, rock, and bluegrass covers released just six months after his first solo effort, Cheating at Solitaire. As the title implies, Ness intends the album to be an illustration of the music that shaped him. Songs as diverse as "I Fought the Law" and "Wildwood Flower" make their appearance, each with Mike Ness's unique spin. Included is a honky tonk version of Social Distortion staple, "Ball and Chain".

The artists and the songs

Wayne Walker All I Can Do Is Cry
Wayne Walker is one of country music's more obscure figures. Better known as a songwriter than an entertainer, Walker has penned songs performed by a countless number of major acts including Elvis Presley, Eddie Cochran and Patsy Cline. He had his first big hit as a songwriter with I've Got A New Heartache performed by Ray Price and ten years later won the Billboard Song Of The Year award with All The Time. All I Can Do Is Cry was one of the few tunes both written and performed by him.

Marvin Rainwater Gamblin'Man
Of Indian ancestry, Marvin Rainwater was a singer and prolific songwriter who became a star briefly in the 1950's. Working in a variety of styles, Rainwater was equally skilled at western ballads, pop confessions and go-for-broke forays into rockabilly. His big crossover hit came in 1958 with the rocking Whole Lotta Woman which propelled him up not only the American pop and country charts, but also skyrocketed him to the number one position on the British charts. Rainwater's American fame was shorter lived than his success overseas and he continued touring there through the early 70's.

Carl Perkins Let The Jukebox Keep On Playing
Carl Perkins was one of the most influential figures in roots music. His country and rock 'n' roll tunes have been deeply ingrained in the American consciousness and are still widely played today. (Under his umbrella is Blue Suede Shoes - the song that made Elvis famous.) Let The Jukebox Keep On Playing is one of Perkins' earliest country songs, recorded before he started playing Memphis rock 'n' roll. Perkins later joined Johnny Cash's road show and continued to play music until he died in 1998.

Bobby Fuller I Fought The Law
Bobby Fuller is the father of "the West Texas rock 'n' roll sound." Deviating from the surf tunes that were dominating the California airwaves in the early 60's, Fuller incorporated the sounds of the British Invasion and Motown R&B techniques into his recordings. His biggest hit was the infamous I Fought The Law, released in 1963. Fuller was found dead three years later; the circumstances of his death remain suspicious to this day.

Marty Robbins Big Iron
Marty Robbins was one of country music's most successful and diverse performers. His vocal style was compatible with almost all types of country music: weepers, western ballads, pop standards and rockabilly. Robbins made his chart debut in 1952 and managed to place records on the country and pop charts every year for the next 31 years, ultimately taking 16 singles to the number one position. Big Iron appeared on the 1959 concept album Gunfighter Ballads And Trail Songs which was influenced by the movies of Gene Autry.

Billy Lee Riley And The Little Green Men One More Time
Billy Riley is one of rockabilly's original performers. In the 50's, affiliated with Sun Records after recording his first hit record Flying Saucer Rock there, Riley backed up many of the performers who came through the doors to do session work at the label. Joining him during many of these sessions were Roland James and J. M. Van Eaton who later became The Little Green Men. The three went on to record together and perform on the songs of other acts such as Johnny Cash and Roy Orbison for Sun until 1960. One More Time was one of Riley's last recordings for the label. Riley continued to work as a session player and touring musician for the next 25 years.

Hank Williams, Sr. Six More Miles/House Of Gold
Hank Williams, Sr. was country music's most charismatic and tragic figure. One of the few performers who wrote most of his own material, Williams left a legacy of over 700 songs, recording 129 during his career. He was only 13 when he started his lifelong band The Drifting Cowboys, who gained immediate recognition playing regularly on WSFA-AM in Montgomery, AL. Partnering with Fred Rose, a Nashville, TN music publisher, Williams signed to the newly formed MGM label in 1947 and quickly shot up the charts. His memorable performance of Lovesick Blues on the Grand Ole Oprey in 1949 won him a permanent place on the show. Unfortunately Williams was a habitual drug user and alcoholic who cut both his career and life short. He died on New Year's Day at the age of 29. Williams was well-loved in the country music community with over 20,000 people attending his memorial service. His albums continued to chart and sell after his death.

Jean Shepard A Thief In The Night
Few female country singers have produced a body of work as enduring as Jean Shepard. A country purist, Shepard is best known for her devotion to hardcore Honky Tonk, which gained her a series of Top Ten hits in the early 50's. In 1956, her success at a peak, Shepard was invited to join the Grand Ole Oprey. That same year she wrote and recorded Songs Of A Love Affair, the first-ever concept album in country music history. As rockabilly started to top the charts in the early 60's, Shepard fell out of site for nearly ten years as she remained committed to her undiluted brand of country music. Her star rose again in 1964 with the single Second Fiddle (To An Old Guitar) and Shepard continued to record until the end of the 1970's and tour well into the1990's.

George Jones Once A Day
Once called "the second best singer in the world" by Frank Sinatra, George Jones is one of the biggest stars country music has ever produced. His vocal style has influenced countless performers and though he suffered many personal and professional setbacks, Jones never left the top of the country charts through the length of his career. Jones started in 1957 on Starday records, doing stints on Mercury and UA, before settling into a record deal with Musicor where he spent a good number of prosperous years recording number one albums and singles for the label. But by the time he met and married his third wife country star Tammy Wynette in 1969, his career had begun to wane. After some dispute, he relinquished the rights to all of his Musicor recordings and switched over to Wynette's label Epic. The two began a musical partnership recording and touring, reviving Jones' career and making them the biggest stars in country music. Unfortunately, as the duo toured the country, Jones sunk deeper into the alcoholism and drug abuse that had simmered under the surface for years. Subsequently, their marriage and Jones' career began to fall apart. However, in the mid-seventies Jones became a star again in his own right. He was voted Rolling Stone's Country Singer of the Year in 1976 which was followed by a series of Top Ten hits that lasted until 1987.

Wanda Jackson Funnel Of Love
Wanda Jackson is credited with being America's first female rock 'n' roll singer. A child prodigy that could play both the guitar and piano by the time she was ten, Wanda Jackson's musical career began early. At 13 she had her own radio show; by 17 she was cutting records for Decca; and at 18 she was on tour with Elvis and subsequently became Capitol Records leading rocker. Jackson's recording career spans 40 years with over 50 albums to her credit. Originally released as a single, Funnel Of Love did not appear on a full-length record until Capitol Records put together a compilation CD of Jackson's greatest hits in 1997.

The Carter Family Wildwood Flower
One of the most prominent families in country music, the Carters enjoy a lineage of country music that spans from the early 1920's to the present. The original Carter Family (A.P. Carter, his wife Sarah and Maybelle Addington who joined the group after marrying A.P.'s brother Ezra) was first recorded in August of 1927. A short six months later the group recorded its biggest seller Wildwood Flower. The single was recorded at Camden in New Jersey on May 9, 1928 and has registered over a million in sales to date. In 1943 the group officially disbanded, having recorded over 250 songs. In 1960, Maybelle and her daughters began working as the Carter Family; June Carter eventually going solo and becoming part of the Johnny Cash Road Show (and later marring Johnny Cash). In 1970 the Carter Family was inducted into the Country Music Hall Of Fame.



Track Listing:


   1. All I Can Do Is Cry
   2. Gamblin' Man
   3. Let the Jukebox Keep on Playing
   4. I Fought the Law
   5. Big Iron
   6. One More Time
   7. Six More Miles
   8. A Thief in the Night
   9. Once a Day
  10. Funnel of Love
  11. House of Gold
  12. Wildwood Flower
  13. Ball and Chain

Total Playing Time:   41:14


Check him out HERE
getyousome




I just noticed that I uploaded both of these with variable bit rates, but no worries, I'll hopefully have them both converted to 320kbps by tonight.

Saturday, April 3, 2010

Justin Townes Earl - Yuma EP (2007)







2007 - Yuma EP    

Genre: Folk, Country
Origin: Nashville, TN
Time: 19:01 min.
File: 34.65 MB (256kbps)



Justin Townes Earle has some pretty big shoes to fill, considering that he shares his name with two of American music’s best songwriters: Townes Van Zandt, and his father, Steve Earle. However, the younger Earle shies away from the musical styles of these two men, creating his own sound that is an amalgam of Depression-Era folk, classic country, pre-War blues, and early rock ‘n’ roll.


Track Listing:


1.  The Ghost Of Virginia
2.  You Can't Leave
3.  Yuma
4.  I Don't Care
5.  Let The Waters Rise
6.  A Desolate Angels Blues


I'm still in Country mode as you can see, I just stumbled across Mr. Earle's music about a year ago and I like it a lot.  I've showed this to a couple of my friends that are also into the more "traditional" style and I got mixed opinions. Most either love it or hate it.  I happen to love it.  If any of you want more,  I have his two full length albums and a couple of live recordings, just let me know.  

Check him out HERE

Monday, March 29, 2010

Scott H. Biram - Somethings Wrong /Lost Forever (2009)




2009 - Something's Wrong/Lost Forever


Rock ‘n’ Roll ain’t pretty and neither is Scott H. Biram. The self proclaimed ‘Dirty Old One Man Band’ successfully, and sometimes violently, lashes together blues, hillbilly and country precariously to raucous punk and godless metal.

Biram ain’t no candy-ass singer/songwriter either, sweetly strumming songs about girls with big eyes and dusty highways. HELL NO!!! His singing, yodeling, growling, leering and brash preachin’ and hollerin’ is accompanied by sloppy riffs and licks from his 1959 Gibson guitar and pounding backbeat brought forth by his amplified left foot. The remainder of this one-man band consists of an unwieldy combination of beat-up amplifiers and old microphones strung together by a tangled mess of guitar cables.

Years of non-stop touring have honed his assault to a fine edge; his wide-eyed throw downs in the First Church of Ultimate Fanaticism routinely lead giddy followers to a fiery baptism.

Scott H. Biram won’t die. On May 11th, 2003, one month after being hit head-on by an 18-wheeler at 75 MPH, he took the stage at The Continental Club in Austin, TX in a wheel chair – I.V. still dangling from his arm. With 2 broken legs, a broken foot, a broken arm and 1 foot less of his lower intestine, Biram unleashed his trademark musical wrath.

When Scott H. Biram took the stage at his 2004 SXSW festival showcase right after Kris Kristofferson he was quoted as growling “They said that was a hard act to follow….I’m a hard act to follow motherfuckers!!” The stunned crowd looked on.

“Scott’s self described ‘dirty old one-man band’ had a captivating immediacy that big rock shows rarely reach. On stage Scott is a man possessed, spitting and snarling like a Mississippi juke-joint shouter on a moonshine bender.” – Eben Sterling, Thrasher

“He has a true stage presence that could be fairly compared to that of Clint Eastwood on film. The dude’s more dude than most other dudes you will ever meet.” – Austin Columnist

“An impassioned multi-instrumentalist unleashing a brutal cacophany with the fury of someone whose check from the Devil finally cleared. Half dirty blues, half underground punk, half honky-tonk, half revival meeting…oh shut up about the math. You’ll see the light.” – Dayna Papaleo, Rochester City News

“His barbarous exorcism of Depression-era blues—with a bedrock of frantic flatpicking, foot stomps into a floor mike, and gutteral growls through a distortion mike—has made Biram a rising star in Austin.” – Brian T. Atkinson, No Depression

“Biram is the kind of guy you don’t laugh at all the way just in case he really is crazy. We all wanna be entertained, but nobody wants to get stabbed in the head with a screwdriver.” – Frank de Blase, Rochester City News

“With a raw immediacy that recalls Hasil Adkins and Bob Log III, Biram specializes in a twisted hybrid of gutbucket, hillbilly and godless metal. He’ll praise the virtues of moonshine and titty bars one minute, then tongue-lash city slickers and hippies the next.” – John La Briola, Houston Press


Track Listing:

1.   Hospital Escape
2.   Time Flies
3.   Sinkin’ Down
4.   Still Drunk, Still Crazy, Still Blue
5.   Aint It a Shame
6.   Judgement Day
7.   Draggin’ Down The Line
8.   Feel So Good
9.   Wildside
10. Hard Time
11. The Wishing Well
12. Go Down Ol’ Hanna


Here's another great album in rotation at my house right now.   This guy is is high on Hee Haw.  I swear, and listening to this makes me feel like I am too.  This is serious beer drinkin' Southern fried angry music at it's finest.


Check him out HERE


getyousome

He'll be touring this Europe April / May, so be sure to catch him when he passes through.
  

Thursday, March 18, 2010

Banjo & Sullivan - The Ultimate Collection 1972 - 1978 (2005)



2005 - The Ultimate Collection 1972 - 1978

"Banjo & Sullivan disappeared amid a series of heinous homicides and were basically forgotten." That was the boilerplate from the group's website, though it was as fanciful as it was ominous. In actuality Banjo & Sullivan was a project created by Rob Zombie guerilla marketing-style to promote and support 2005's Devil's Rejects, the sequel to his 2003 cinematic debut, House of a 1000 Corpses. As the back-story went, Roy Sullivan and Adam "Fingers" Banjo shone briefly on the early-'70s honky tonk circuit with crowd-pleasers like "Dick Soup" and "I'm at Home Getting Hammered (While She's out Getting Nailed)." Their fictional career was abruptly ended in 1978, when Banjo, Sullivan, and their crew had a run-in with a group of homicidal freaks called the Devil's Rejects. The duo's crew were killed, but "Banjo & Sullivan were never found." Cue the music. In real life, the music was written and performed by Austin songwriter Jesse Dayton, who collaborated with Lew Temple and Zombie on the project. June 2005's Rob Zombie Presents...Banjo & Sullivan: The Ultimate Collection 1972-1978 carried the ruse even further, full as it was with the duo's fictional honky tonk. Still, it was in good fun. Well, good in a dirty way, considering the subject matter of Rejects, but an ambitious project nonetheless that contained a lot of great little details. ~ Johnny Loftus, All Music Guide

Track Listing:

1.  Dick Soup
2.  I Don't Give A Truck
3.  Honeymoon Song
4.  I'm at Home Getting Hammered (While She's Out Getting Nailed)
5.  Killer On the Lamb
6.  I'm Trying to Quit, But I Just Quit trying
7.  She Didn't Like Me (But She Loved My Money)
8.  Roy's ramble
9.  Lord, Don't Let Me Die In A cheap Motel
10. Free Bird

Jesse Dayton did a superb job with these songs.  Every song on here will either have you laughing your asshole off, or stompin' your feet.  Tracks 1 and 4 are my personal favorites but overall this is damn good. 

Dicksoup?

Monday, February 15, 2010

Angry Johnny and The Killbillies - What's So Funny? (1998)

 

1998 - What's So Funny?

Track Listing:

1.  All American Girl
2.  High Noon In Killville
3.  Disposable Boy
4.  The Joneses
5.  Henry
6.  Shitty Day
7.  49
8.  Sent Him Home
9.  My Ghoul Maggie
10.Devil's Run
11.Won't Get Me Out Of Your Mind
12.Jezebel
13.Walking Alone
14.Kill Again
15.Daisies
16.Davie and Jeannie
17.Old Boyfriend
18.A Love More True


They're on the loose again. Set to thrashing guitars, saxophone, tuba, and banjo, this sonata for serial killers is far too well done to dismiss as novelty. But it's Angry Johnny's punked-up vocals and obsessed songwriting that you'll really remember. Of course, after listening to this stuff, you'll want to drive a stake through the heart of anyone who ever looked at you cross-eyed. - Alanna Nash

Don't miss this folks!  Them good 'ol boys from Killville are back to fuck you up and leave you smiling.

getyousome

Wednesday, February 3, 2010

Sons of Perdition - The Kingdom Is on Fire (2007)

 


 2007 - The Kingdom Is on Fire
 
Track Listing:

01.
This Land Is Cursed
02. The Party
03. Anhelo
04. There Is a Judgment
05. Blood in the Valley
06. Burial At Sea
07. Cannibals of Rotenburg
08. All He Wants (is My Blood)
09. An End to All Flesh
10. Death of a Shuckster
11. The Legend of Saw Jones
12. Fall to Your Knees
13. I Wanna Go to Heaven


Here's another Outlaw/Alt./ Traditional Country album that gets played frequently at my house.  If you liked all the other country stuff that I've posted, and for some reason you have not heard these guys, then you need to....

getyousome

Saturday, January 30, 2010

Joey Allcorn - 50 Years Too Late (2006)

 

2006 - 50 Years Too Late


"I don't know where the music is going, but I know where it's been."

This is what Joey Allcorn claims in his song, "This Ain't Montgomery." While no one really knows where country music is going (except that most purists would agree it sure isn't headed in the right direction), his claim that he knows country's roots is no false statement. When one listens to an Allcorn song or goes to see one of his shows, those roots are not hard to hear or see. His music doesn't feature the loud rock guitars and drums of the southern fried bubble gum found on mainstream country radio, nor does he wear the usual tank top and blue jeans ensemble one would expect of today's country stars on stage. Steel guitar can still be heard in his songs, and he and his band take the stage in suits, ties, and western wear that the stars of the Grand Ole Opry would don in '40s and '50s. To put it bluntly, Allcorn has mastered two lost arts. He makes real country music, and puts on a real country show.- J. Morningstar www.RealCountryMusic.org

Track Listing:

1.  50 Years too Late
2.  I Just Don't Know
3.  Here I Go Again
4.  Son of a Ramblin' Man
5.  Tired of Being Blue
6.  Alabama Chain Gang
7.  So Say Goodbye
8.  Don't You Call on Me
9.  This Ain't Montgomery
10. Like I Never Will Again
11. In Nashville Tennessee
12. Graveyard Bound
13. The Execution


This outstanding album was sent in by my friend DEVILDOWNINGA.  Here's what he had to say about it:

"Check this guy out. Nobody I know of' has ever heard of him and I damn near defy you not to get goosebumps over the way his music will remind you of Hank Sr. and that whole time period. He's a young guy in his 30's but goddamn, I personally have never heard any other "modern day" country that does justice to the Country Gold days of the late 50's - 60's. He does. Play this when you're in the mood to hear Hank Sr. Nobody does it like this nowadays..."

A Superdome-sized thanks to you bro!  This album is GREAT.  Featuring Hank Williams III doing guest vocals on “This Ain’t Montgomery”, Lonesome Wyatt of Those Poor Bastards fame doing guest vocals on "Graveyard Bound", legendary country pianist Walter Cunningham, and a list of other musicicans  including  Donnie Herron of BR549 and Bob Dylan’s current touring band on fiddle, Andy Gibson of Hank Williams III’s Damn Band’s on steel guitar, and guitarist Johnny Hiland. 

Don't be stupid guys, getyousome

Wednesday, January 27, 2010

Carryin' On with Johnny Cash and June Carter (1967)



1967 - Carryin' On

    Carryin' On with Johnny Cash and June Carter is the twenty-fourth album released by country musicians Johnny Cash and June Carter Cash in 1967 (see 1967 in music), on Columbia Records. The album consists exclusively of duets by Cash and Carter, most famously "Jackson", though "Long Legged Guitar Pickin' Man" was also released as a single. Cash and Carter married seven months after the album was released, and "Jackson" remains their most well-known collaboration, with the couple performing it at numerous venues throughout the years. - taken from Wikipedia              


Track Listing:

1. "Long Legged Guitar Pickin' Man"
2. "Shantytown"
3. "It Ain't Me, Babe"
4. "Fast Boat to Sydney"
5. "Pack Up Your Sorrows"
6. "I Got a Woman"
7. "Jackson"
8. "Oh, What a Good Thing We Had"
9. "You'll Be All Right"
10. "No No No"
11. "What'd I Say"


This has always been one of my favorite albums to sit back and chill to.  I'm sure everyone has heard this fine record before, if not here's your chance.

Getyousome

Saturday, January 23, 2010

The Devil Makes Three - A Little Bit Faster and A Little Bit Worse (2006)



2006 - A Little Bit Faster and A Little Bit Worse

This was recorded over two nights playing at Don Quixote's in Felton, CA with guest fiddle player Chojo Jaques.

Track Listing:

 
1.  Black Irish
2.  Beneath the Piano
3.  Tow
4.  Shades
5.  Man Tap
6.  Uncle Harvey's Plane
7.  Robot
8.  Jug Band
9.  North Carolina
10. Bangor Mash
11. St. James

This is what held me over until I finally got to see TDM3 in 2009.  I normally am not a big fan of live recordings but this one is just outstanding. I know Cheeto and Devildowninga will love it, if they don't have it already.

getyousome

Wednesday, January 20, 2010

Lonesome Wyatt and Rachel Brooke - A Bitter Harvest (2009)




2009 - A Bitter Harvest

Track Listing:

1. This Painful Summer
2. Poor Desperate Fools
3. Scars
4. Someday I’ll Fall
5. Crippled Farms
6. Only the Booze
7. Darkness
8. Never Forget (These Nightmares Are Mine)
9. Empty House
10. Give Up And Die


Those Poor Bastards' singer Lonesome Wyatt teams up with Rachel Brooke for ten songs of woe and unrelenting despair.  This is more along the lines of the album Sabella that I posted a couple of days ago.  

Here's what SCM has to say about Rachel Brooke:

  “Like so many of us, Rachel Brooke was born in the wrong time. Her classic style, and her simple and poetic songs fit much more snugly in an oval picture frame of tarnished metal and smoky glass than on CMT or Clear Channel pop country. She might be from Michigan, but this girl must have been touched with the songs and sentiments of the southlands and the weary West at birth.
The Rachel Brooke brand of old school country soul is true, and doesn't even give a hint of fake, stereotyped molding to fit a style or genre that happens to be hip at the time. It flows out of her as true and vital as breath. In other words, this girl is the REAL DEAL!
Her songs have that capacity to take you somewhere you haven't been for many many years, or to take you somewhere you want to be: in the depths of drunkenness and depression, or back home where all was right. Then she feeds it all through the effects of a warped record or an fuzzy AM radio to erase any tinges left behind by this modern antiseptic world with its polished existence, because the songs are not meant for this modern world or the people who dwell in it. They are meant for YOU,..the wayward soul rambling down the Lost Highway."
-- savingcountrymusic.com


And here's what Mr. Wyatt has to say:

"Rachel's songs will reach down your throat and beat your poor dead heart black and blue. She's a thing of wonder to behold." -Lonesome Wyatt, Those Poor Bastards

I love this album.  Do yourself a favor and....

getyousome

Tuesday, January 19, 2010

The Devil Makes Three - Longjohns, Boots, and a Belt (2004)



2004 - Longjohns, Boots, And a Belt

On their second album the band's ragtime bounce is still intact, but country blues share the billing, all presented with a cleaner mix that shows just how impressive the band's instrumental chops are.


Track Listing:

1.   Never Learn
2.   North Carolina
3.   Man Tap
4.   Sweeping
5.   Bangor Mash
6.   Judgment Day
7.   Tow
8.   Black Irish
9.   Long Boots Johnson
10. River Deep

As promised, here is the second album by The Devil Makes Three.  If you haven't heard of them, be sure to check this one out.

Getyousome

Monday, January 18, 2010

Lonesome Wyatt and the Holy Spooks - Sabella (2001)



2001 - Sabella

Rare, early solo recordings by Lonesome Wyatt. Not as mean and desperate as Those Poor Bastards, but still better than a shovel to the back of the head.

Track Listing :

1.  Crows
2.  Macabre Holy Pleasure
3.  If You See Sabella
4.  Black Is the Color
5.  Rebecca
6.  A Horse Deceased
7.  The Ballerina's Twirl
8.  Jealous
9.  Covered In Straw
10. Shelter
11. A Lovely Coffin




Lonesome Wyatt of Those Poor Bastards fame, solo style. 

Getyousome

Tuesday, January 12, 2010

Otis Gibbs - 2009 - Grandpa Walked a Picketline



Otis Gibbs is a man in search of an honest experience. Some people refer to him as a folk artist, but that is a simplistic way to describe a man who has planted over 7,000 trees, slept in hobo jungles, walked with nomadic shepherds in the Carpathian Mountains, been strip-searched by dirty cops in Detroit, and has an FBI file. Otis has played everywhere from labor rallies in Wisconsin, to anti-war protests in Texas, Austria and the Czech Republic, Feed & Seed Stores in the Midwestern U.S. and in countless, theaters, festivals, bars and living rooms. Much of his work concentrates on the world that is ignored by pop culture. Sometimes forgotten, obsolete or simply marginalized, it is a world that doesn’t fit into a twenty-second sound bite or a White House talking point. Otis has spent the last fifteen years traveling across America and abroad documenting this world, and has a story to share about each stop along the way.





2009 - Grandpa Walked a Picket Line

Track Listing:

1.   Caroline
2.   Everyday People
3.   Sometimes Angels
4.   To Anyone
5.   Beto Junction
6.   Preacher Steve
7.   Damn Me
8.   Aint Nothing Special
9.   Ghost of the Domplatz
10. Long Black Thunder
11. Honey Please
12. Bury Me on a Rainy Day

Keeping with my Alt/Outlaw Country obsession as of late, here is another must have album from 09.  Just give it a listen, this guy is amazing.

Preacher Steve